New releases from Pessimist and Berrocal/Fenech/Epplay


Two new releases available to pre-order now for April 28th release: a limited edition 12″ album sampler from Pessimist (BLACKEST063), featuring two of the heaviest soundsystem weapons from his forthcoming LP (due to land in summer), and the return of Jac Berrocal, David Fenech & Vincent Epplay with a 7″ entitled Why (BLACKEST062).

Both titles are available from our Bandcamp.


Raime – Notion 2 Notion (BLACKEST058 12″)


Notion 2 Notion is a new 12″ from Raime, featuring a pair of dread rhythm tracks built in the wake of last year’s Tooth LP. ‘Notion 2 Notion’ and personal favourite ‘Losing Track’ feel like the spiritual descendents of their much-loved 2011 Hennail EP.  A vinyl-only release, pressed on clear wax and limited to 500 copies; no digital, and no re-press. The cover artwork is by Damien Tran. Available from all good record stores and our Bandcamp webshop, while stocks last.


‘Can the world be as sad as it seems?’

Shocked and gutted to hear that Mark Fisher, aka k-punk, has died. I was privileged enough to work with Mark on a few brief occasions, and some of you may recall he supplied the sleevenotes for our Red Riding: The Year of Our Lord 1980 soundtrack release (reproduced below in tribute). His ideas and insights, communicated with style, zeal and a courageous honesty across books, journalism and of course blogging, were a constant source of inspiration. It’s impossible to overstate his influence on us or the surrounding culture. Rest in peace, Mark.



Appropriately, Channel 4’s production of David Peace’s Red Riding novels felt like something out of time – a throwback to the early days of the broadcaster’s history.

Red Riding was an anomaly amongst the new Channel 4’s property shows, cheap controversy-mongering and reality TV. Since there were only enough funds available to adapt three of the four novels – 1977 was the one which didn’t make it onto the screen – 1980 became the centrepiece of a trilogy. Here we had a vision of what British television could (still) be like. Director James Marsh and screenwriter Tony Grisoni constructed a film that was expressionistic, fractured, mythic. Marsh drew the best of an excellent cast, led by Paddy Considine, perhaps the most gifted British actor of his generation. Somehow, Marsh and Grisoni broke free, not only from the conventions of current British television, but also from the mediocrity that reigns in recent British cinema (a mediocrity which, sadly, was demonstrated all too acutely in Tom Hooper and Peter Morgan’s dreadful adaptation of Peace’s The Damned Utd).

Four years on from the Red Riding adaptations, and Peace’s work has come to seem even more prophetic than it did even in 2009. How is it that writing about the past could tell us something about the future? And yet, how many times, in the last few years, have we found ourselves saying it’s like something out of David Peace? In England, in the second decade of the 21st century, it’s as if some kind of spell is wearing off. The conjuring, the concealment, could only work for so long, and there is a growing feeling that the past is coming back, that what had been buried will no longer remain underground. All the occult deals, the secret meetings, all the silencing and the disappearances, all of them gradually coming to light. Everything that was necessary to build the reality system we have lived in for the last thirty years is now being exposed. The same unholy triangle – police, politicians, journalists – keeps returning, scandal after scandal: Hillsborough, hackgate, Savile. Dark networks of complicity, everyone compromised (and therefore compliant). It all connects…Pull on one thread and it all starts to unravel…

It’s like Peace woke up before the rest of us, laying out, in the novels he wrote between 1999-2002 a vision of British society that would be vindicated by the revelations of the last few years. The central character in the Red Riding novels has also had a returning role in some of this decade’s scandals: Yorkshire, which in Peace’s hands becomes the dark secret heart of England, a rival source of power to London, a cursed territory. The tendrils that connected Hillsborough to Savile pass through (or under) Yorkshire. Flash to a now notorious photograph of Jimmy Saville with Peter Sutcliffe and Frank Bruno…A light entertainer, a serial killer, a boxer…Like something out of David Peace…Then there’s the revelation that police investigating the Yorkshire Ripper murders considered Savile a suspect for a while…and one of the Ripper’s victims was found only yards from Savile’s flat…

By 1980, Peace’s fictional(ised) world was increasingly incorporating actual events, as the Red Riding story arc started to centre on to the bungled police investigation into the Yorkshire Ripper. With 1977, Peace had begun to move out of James Ellroy’s shadow. 1974 felt like a fairly simple translation exercise, in which Ellroy’s infernal vision of LA corruption was transposed to Yorkshire. Already, though, it was clear that the two writers had a very different orientation to what they were depicting. Ellroy is a pugnacious pessimist, rubbing our noses in the excrement of the world and calling us sentimentalists for expecting any more. There is no such acceptance of corruption in Peace’s work, which howls with an unexpiated sense of outrage at injustice and corruption. Peace’s is a Gnostic vision: even if the material world is dark and heavy with a corruption that is constitutive and indelible, even if there is no possibility of escape or redemption, on no account should we accept it.

Some of the moments in the Red Riding novels that most felt like melodramatic excesses – children kept prisoner in bizarre underground lairs, for instance – turned out to also to be prophetic. It seems that melodramatic ‘excess’ is built into the Real. Realism screens out this excess by reflecting the world according to common sense, and in this way abets power (this can’t be happening). Actual conspiracies are easily waved away by being dismissed as conspiracy theories. Yet, after hackgate, after Hillsborough, after Savile, it’s clear that conspiracy theories have a much better grasp on how things operate than level-headed Anglo-Saxon common sense.

Drawn into the murk of institutional cover-up, Peter Hunter in 1980 has no hope of exposing the conspiracy. (The conspiracy can only be revealed many years later, when the key players are retired or dead.) Hunter is led down blind alleys; he faces lack of co-operation, outright obstruction and deadly betrayal. Most ominously, he sees, necessarily too late, the way in which corrupt power responds when it is threatened. Cops, hacks and politicians all have the goods on each other. Ruling class consciousness: it is either watch each other’s back or be stabbed in the back. There’s no need to fear do-gooders like Peter Hunter. No one is pure; there is always something – a photograph, an indiscretion, a remark – that you would rather keep under wraps. They have something on everyone, and, when the time is right, they will let you see what they’ve got on you.

Mark Fisher, July 2013


Things and things


Camella Lobo by Mash Bits

Happy new year.

What follows is a round-up of recent news from Blackest Ever Black’s leaky floating headquarters. Apologies for the erratic updates in the last few months: the second half of 2016 was a chaotic one for us due to various personal goings-on and our move from Berlin back to the UK. As our mailorder customers may have noticed, our stock is still stuck in Berlin, and so orders will continue to ship from there until January 31st. From February onwards, all orders ship from the UK, with postage costs updated accordingly (sorry).



Before we get onto 2017’s releases, allow us to draw your attention to People SkillsGunshots At Crestridge, which, by virtue of being released in mid-December, may have escaped it up till now. In the new video for ‘Mint Julep’, Jesse Dewlow’s cracked, highly personal music becomes something like an exasperated state-of-the-nation (what a state, eh) address. This album is available in an LP edition of 500 copies, and digitally, and it comes with our highest possible recommendation.



Stupid as a painter thick as sculptor: Blackest Ever Black “Singles” 2016 is a cassette+digital compilation bringing together key tracks from Tomorrow The Rain Will Fall Upwards, Carla dal Forno, Secret Boyfriend, Ashtray Navigations, People Skills, Dalhous, Raime and Pessimist, and with an exclusive newie from Tarquin Manek & Ying-Li Hooi. Strictly limited edition of 100, with £1 from every purchase donated to the homeless and housing charity Shelter. At the time of writing there are 14 copies left in stock.


Upcoming releases 


This year you can look forward to 2×12″s or LPs from, among others, Pessimist, F ingers, Jabu, Silvia Kastel, Tarquin Manek, Dalhous, Amateur Childbirth and тпсб. New singles/EPs from Raime, Regis, Carla dal Forno, Black Rain, Berrocal/Fenech/Epplay. Much else in the oven besides, including two long-gestating archival projects.

Before any of that, Themes, a 12″ mini-LP from Naaahhh (cover art pictured above). “Five tracks of darkside slither from somewhere under London. Sidereal downers for all hardcore ravers. The dread energy of grime and bleep techno distilled into pungent electro-acoustic ooze. Paranoid street music meets the cosmic disturbances of musique concrète, the MDMA spine-freeze of isolationism and England’s hidden reverse. Staccato string stabs, murmured voices, black holes of reverb and pulverising, body-numbing bass. Drums optional. Unwanted side-effects include nosebleeds, earaches, stomach cramps, and nausea. Just say naaahhh.”


BEB, Raime, Tropic of Cancer and Carla dal Forno radio shows

You can hear music from many of the above in Blackest Ever Black’s first NTS radio show of 2017, available to stream/DL here.

Speaking of radio, Raime guested on Radar last week. All the way back in November – but in case you missed it – Camella Lobo of Tropic of Cancer presented the first episode of her Cry Later request show for NTS, with tunes from, among others, Lifetones, Keith Hudson, Joe Crow and The Four Tops. Carla dal Forno‘s monthly show for Berlin Community Radio is also something you should keep tabs on.


Blackest Ever Black meets The Death Of Rave


Our first gig of the year is a joint label showcase with The Death of Rave, taking place at The White Hotel, Manchester, on Saturday 4th February. Serious all-nighter with live sets from Raime (full band show), Ashtray Navigations, Sam Kidel (who has appeared on BEB as part of Killing Sound, and released the celebrated Disruptive Muzak on TDOR last year – he’ll be installing and performing the latter work for this event) and, making his debut, Croww; DJ sets come from Pessimist, TDOR boss Conor Thomas, and yours truly b2b Jon K. Tickets here.


Tropic of Cancer on tour 


Tropic of Cancer have announced some live dates for Europe: Rennes (La Route du Rock Festival, 22/2), Barcelona (Delicalisten, 24/2), Antwerp (Het Boss, 26/2), Edinburgh (Summerhall, 1/3), Graz (Elevate Festival, 3/3), Copenhagen (Frost Festival, 23/2), Hamburg (Kampnagel, 25/2), London (St John at Bethnal Green, 28/2), Berlin (Berghain, 2/3) and Frankfurt (4/3). Visit TOC’s Facebook page for more information and ticket links.


Carla dal Forno on tour 


Carla dal Forno too is playing a handful of European dates and then touring the UK throughout February, before returning for the Safe As Milk festival. Current list of shows is as follows, with more to be added:

Jan 13th – Cologne, Gewölbe
Jan 25th – Rome, Blackmarket Monti
Jan 26th – Milan, Standards
Jan 27th – Udine, Visionario
Jan 28th – Bologna, Covo Club
Feb 2nd – Brighton, Sticky Mike’s Frog Bar
Feb 3rd – Bristol, TBA
Feb 4th – London, The Islington
Feb 5th – Nottingham, The Chameleon Arts Cafe
Feb 6th – Manchester, TBA
Feb 7th – Glasgow, The Hug and Pint
Feb 8th – Edinburgh, Paradise Palms
Feb 10th – Newcastle, TBA
Feb 12th – Sheffield, The Audacious Art Experiment
April 21st – Safe As Milk, Wales, Pontins Prestatyn Sands Holiday Park

To coincide with the tour, we’re releasing a cassette edition of You Know What It’s Like. This will primarily be available from CDF on her upcoming live dates; but we’ve allocated a handful of copies for online, available to pre-order now for February dispatch.


Raime live dates

In addition to their appearance at the BEB + The Death of Rave event at Manchester’s White Hotel on February 4, Raime currently have live shows scheduled for Barcelona (Caixa Forum, January 27th) and London (Convergence Festival at Village Underground, March 24th, with Actress, Randomer and more TBC).


OK that’s it, apart from everything we’ve forgotten. Will update you again soon.


Id Mud: Nina + Good News; Silvia Kastel


Krokodilo Tapes is no more. In its place, a new series of mixtapes we’re calling Id Mud.

The first Id Mud is a double-cassette set, limited to 50 copies, of Nina + Good News (of Golden Pudel and vis fame) recorded at Blackest Ever Black’s Berlin leaving party at OHM on Friday 12 August 2016.

IDMUD002, entitled Bibula Harena and also available in an edition of 50, is by Berlin-based Italian musician Silvia Kastel, who has solo work of her own forthcoming on Blackest Ever Black.

Both tape sets are available to pre-order now.


Polar exposure


Next year The Quietus is putting on a series of events celebrating the work and legacy of COUM Transmissions, as part of Hull City Of Culture 2017. The events – including “new works…using sound, imagery and the human voice” from Gen and Cosey – coincide with the first retrospective of COUM, on show at the new Humber Street Gallery from February 3rd to March 22nd.

“Closing proceedings at The Polar Bear on Spring Bank on Sunday 19 March will be a free showcase of Hull-inspired sets from some of the city’s underground exports; cultural innovators who grew up in the area and can just about still recall a youth spent loitering on Queen’s Gardens and mainlining toxic green Spiders cocktails.

“Heading up the bill will be Kiran Sande of Blackest Ever Black, an underground record label that has been bringing sonically dark mischief to our ears since 2010, and whose mix CD-Rs Id Mud and Dream Theory In Haltemprice have touched upon Hull in more than name alone. Also appearing will be Alex Wilson, who co-runs Public Information, a label that has released a fascinating survey of electronics from the last seven decades, and who will also be presenting a paper entitled: Thee Fabulous Mutations: Film and Video in Yorkshire after COUM in Hull as part of a separate Hull 2017 event. They’ll be joined by the Quietus’ Sophie Coletta, who, after spending many teenage years staring longingly down the mouth of the Humber, fled and returned to Hull’s clutches multiple times in the 2000s.”

Of all the places I thought I might find myself DJing next year, The Polar Bear was not one of them. My parents go to their weekly bridge class next door.

For more information, click here.

– KS



Video for Carla dal Forno’s ‘You Know What It Like’; album launch show in Berlin

Carla dal Forno has shared a third video/song to bring you up/down, the title track from her imminent debut album, You Know What It’s Like. You can read some thoughts from her about it here; the album is out Friday 28 October and available to pre-order now on vinyl, CD and download formats.

Blackest Ever Black presents an album launch show for You Know What It’s Like at Kantine am Berghain, Berlin, on Wednesday 30 November, with a headline performance from CDF, and support from Hypnotic Sleep and Omen. Advance tickets available here.



Blackest Ever Black this Saturday at Corsica Studios, London


Blackest Ever Black returns to London’s Corsica Studios this Saturday 15th October for the first time since 2013, with an all-nighter across both rooms of the venue.

It also marks the label’s possibly foolhardy relocation back to the UK after three years of self-imposed exile in Berlin. A homecoming, a funeral, a Hard Brexit special if you will.

DJ sets from Felix K, Pessimist, Dynamo Dreesen, Ossia (Young Echo), DJ Benetti, Andrew Ingram (Tabernacle Records), Chris Farrell (Idle Hands) and Kenny White. Live performances from Carla dal Forno, Chain Of Flowers, Tarquin Manek and AD Jacques. The time of your f***ing life, la.

Advance tickets, priced £12.50+BF, are available here.


Berlin’s foremost drum ’n bass/techno innovator, co-founder of the peerless Hidden Hawaii label and the brains behind more incognito projects than anyone even begins to suspect. In his DJ sets, as in his productions, Felix explores the spaces between techno, DnB and abstract electronics…effortlessly bridging tempos and time signatures, creating hybrid forms on the fly, opening up wormholes in the dance – beats aren’t so much broken as smashed to smithereens, smothered in gloriously oppressive industrial textures and shot through with a battery of third-eye-opening dub FX. Ahem. Having made his Blackest Ever Black debut in 2015 with the Tragedy of the Commons EP, he closed out the label’s fifth anniversary at Berghain, and this London date is long overdue.


Solo live performance from this major new singer, songwriter and multi-instrumentalist. Having previously contributed to Blackest Ever Black as a member of F ingers and Tarcar, the Australian CDF opened her solo account earlier this year with the instant classic ‘Fast Moving Cars’ single. Debut album You Know What It’s Like, out later this month, is a future classic of dub-disoriented, post-punk-inflected pop, variously channeling the deadpan DIY whimsy of Flaming Tunes and Call Back The Giants, lo-fi Chicago house, the eldritch moon musick of Coil, and the gothic intensity of Nico.


The man behind Acido…Berlin’s most free-form, trippy, no-fucks-given house/techno stable, with a typical 12” offering detours into dub, ruff-cut hip-hop, meditative soundscaping, musique concrete and whatever else takes their fancy that day. Their house is not your house. Avant-garde but unpretentious, dead simple on the face of it but totally mind-scrambling, and home not only to Dynamo Dreesen productions but also cuts from PG Sounds, DJ Sotofett, Madteo, Porn Sword Tobacco, Convextion, $tinkworx and more. Dreesen also makes music with SVN as Dresvn, with releases on Sex Tags Mania, Wania, Honest Jon’s and SVN’s closely affiliated SUED label. Special 3-hour set, not to be missed.


Hands down one of the most exciting young producers currently operating in the UK, and a member of Bristol’s Ruffhouse crew, – who through their own releases and their recently launched label UVB-76 represent the techno-savvy vanguard of contemporary UK drum ‘n bass. Pessimist’s own uniquely brooding, minimalist sound was showcased on his recent ‘Balaklava’ 12” for Blackest Ever Black’s A14 series – where you can hear the influence not only of vintage Photek, Dom & Roland and Doc Scott, but also Chain Reaction, T++, Regis and early dark garage.


All the way from Rimini, we welcome one of italo’s unsung pioneers, DJ Benetti. Conqueror of dancefloors all over the world, Benetti’s sets routinely blow the minds of first-timers and hardcore Italo & hi-nrg cognoscenti alike. His first gig was at a Mafia-controlled pizza restaurant in Vigevano (Northern Italy) in 1980, a restaurant famed for its special aphrodisiac “spaghetti a la slinguata”. He’s also big in China —where he lived for 18 months as paid guest of the Communist town council. More than 50% of his income is spent on D&G clothes and accessories. A rumour persists that Benetti is the alter ego of William Bennett (Whitehouse, Cut Hands), but this seems altogether unlikely.


Cardiff four-piece who channel their hardcore backgrounds into epic, ultra-heavy, shoegaze and goth-inflected post-punk that brings to mind early Creation and Factory fringe operators, The Sound, Birthday Party, Chameleons’ Script Of The Bridge, Sound, Blitz’s Second Empire Justice…all the good stuff. Their brilliant debut LP came out on Alter Records last year.


Ossia hates being called a lynchpin of the Bristol scene but that’s exactly what he is. A member of the Young Echo collective, he runs the RWD>>FWD shop and distro, and has a hand in pretty much all of the key labels to come out of that milieu: No Corner, Hotline, Peng Sound, and of course the recently minted Young Echo imprint. He’s also emerged as a quality producer, with 12”s of raw, free-form soundsystem techno to his name on Blackest Ever Black (2015’s ‘Red X’) and more recently Berceuse Heroique. His DJ set at the Idle Hands x BEB party back in January knocked us out.


Melbourne’s Tarquin Manek is the architect behind some of the finest records to come out on Blackest in the past couple of years. He’s one third of the band F ingers, and half of Tarcar with Carla dal Forno, whose upcoming solo album You Know What It’s Like he also co-produced. He released a solo record of his own in late 2015, Tarquin Magnet, a remarkable blend of DIY concrete, chamber jazz and tripped-out hypno-electronics that no self-respecting, contemporary-minded record collection should be without. His live performances fall somewhere between crooning synth-pop, improv, and dubbed-to-all-fuck techno-splack.


Co-pilot of the redoubtable Tabernacle Records, home to the likes of Lost Trax, John Heckle and The Connection Machine, Andrew knows a thing or two about space travel – in fact for our money he’s the best techno/electro selector in our grubby little solar system. Heads down, closing out Room 2.


Special reggae set from the venerable Idle Hands bossman, all the way from Stokes Croft, Bristol. Anyone who heard his No Vampire mixtape for BEB will know what to expect… proper stake-through-the-heart business.


Avant-garde electronics from the mysterious ADJ, who contributed to our Low Company cassette compilation and has an LP (eternally) forthcoming.


Some bloke I met at the pub.


Raime live in New York, L.A. and San Francisco this week


Raime embark on a short tour of the US this week, playing dates in New York, Los Angeles and San Francisco.

First off New York on Thursday 13 October, for a show at ANALOG_BKNY presented by Quo Vadis Productions. Fantastic line-up also featuring Alessandro Cortini and Lussuria. More information/tickets here.

On Friday 14 October, it’s over to L.A., for a show hosted by Mount Analog at the Masonic Lodge, Hollywood Forever Cemetery. Support from Daniel Higgs (Ideologic Organ) and Noveller. More information/tickets here.

They finish up in San Francisco on Saturday 15th, at the Gray Area Foundation For The Arts with Grebenstein, Stave and more. Information/tickets here.


Blackest Ever Black at Corsica Studios, 15.10.16


On Saturday 15th October, Blackest Ever Black returns to Corsica Studios for its first London party since 2013. Live performances from Carla dal Forno, Chain Of Flowers, Tarquin Manek and AD Jacques; DJs: Felix K, Pessimist, Dynamo Dreesen, DJ Benetti, Ossia, Andrew Ingram (Tabernacle Records) and Kenny White.

A small quantity of £10 early bird tickets are available now.


Raime 5-hour DJ set this weekend for Sisters Uncut

Raime - press - June 2016

Raime play a 5-hour set – which will apparently cover ““post-punk, no-wave, drone, avant, cold wave, electro, techno, hip-hop, garage, techno, house, hardcore, jungle and various gaps in between” at DIY Space For London this Saturday 20th August, in aid of feminist anti-austerity group Sisters Uncut and the fight against UK government cuts to domestic violence services. “Simple, informal affair: 6 – 11pm, £4 in advance or OTD”.

Their May 13th DJ mix/show for NTS is finally available to download via Soundcloud:

And in other Raime-related news, they participated in a “Fireside Chat” interview with Red Bull Music Academy Radio, in which they talk in-depth about their approach to music and production. I don’t think I’ve read, seen or heard any interview with them that explores this thoroughly their ideas and motivations, and as such it’s an essential listen for fans of their work:




Raime recorded live at Unsound Toronto


Raime debuted their Tooth live show earlier this year at the Unsound Toronto festival, with Tom Halstead on guitar, Valentina Magaletti on drums, and Joe Andrews on electronics. If you’ve already caught one of their handful of performances in this incarnation, then you know how devastating this trio is, and how deft – not to mention unlikely – their synthesis of post-hardcore rock dynamics and instrumentation with uncompromised soundsystem pressure is. If you haven’t yet had the pleasure, then listen to these live recordings of ‘Coax’ and ‘Stammer’, recorded made at Unsound Toronto by NTS:

Upcoming Raime live dates:
25/08/16 Berlin, DE Berlin Atonal
23/09/16 Brussels, BE Bozar Electronic Arts Festival
08/10/16 Odense, DK Phono Festival
12/11/16 Utrecht, NL Le Guess Who?

Carla dal Forno – You Know What It’s Like (BLACKESTLP015 | CD015 | DL015)


You Know What It’s Like is an album for inbetween days, and occupies inbetween states: plain-speaking pop, disorientated by dub. Psychedelic folk delivered with (post-)punk economy. Drifting in space while still tethered to the ground. Astral tones blurred with earth sounds: wood, bone, breath, skin, dirt. Ending and beginning, dying and becoming. Longing for adventure and an unquiet life. Struggling to get out of bed.

This is Carla dal Forno’s debut solo album, following time in cult Melbourne group Mole House and an earlier association with Blackest Ever Black as a member of F ingers and Tarcar. It’s due out on October 7, 2016, on vinyl LP, CD and digital formats, and is available to pre-order now (pre-orders come with instant download of ‘What You Gonna Do Now?’). More information here.

Here’s the video for ‘What You Gonna Do Now?’:




Return to Corsica Studios with Felix K, Carla dal Forno, Pessimist, Dynamo Dreesen, Ossia & more TBA

Screen Shot 2016-07-22 at 17.59.53

Londoners, a date for your diary: October 15, 2016. We’ll be returning to our spiritual rave-cave, Corsica Studios, for our first party there in three years. Felix K (pictured), Pessimist, Dynamo Dreesen and Ossia will be leading the charge [UPDATE: Carla dal Forno will also be playing live]. A couple of other live acts, and DJs, still TBA. Tickets, and full line-up, will be released next month.


Tomorrow The Rain Will Fall Upwards: Wreck His Days

Screen Shot 2016-06-29 at 17.08.31

Blackest Ever Black’s most cloistered and curiously monikered project, Tomorrow The Rain Will Fall Upwards, returns with Wreck His Days: a debut long-player of unexpected scale, range and political passion. Guest appearances from members of HTRK and These Immortal Souls, the ghosts of Rowland S. Howard, Les Baxter and Nina Simone. Cosmic pastorals and techno-exotica that will appeal to fans of Robert Wyatt circa Old Rottenhat / Nothing Can Stop Us, Global Communication, Deux Filles, Manuel Goettsching, B12, Arthur Russell… Due to be released in August 2016 on LP and digital formats. More information here.


Tarquin Manek live set on Berlin Community Radio this Friday

Shub Roy’s Revelate show, home to “genre-less abstraction with a focus on noise, experimental, punk/post-punk, various threads of electronic music and more”, returns to Berlin Community Radio this Friday, 15 July with a live set of oneiric dubwise electronics, corroded cold wave and revelatory avant-song experiments from our very own Tarquin Manek (pictured above).

Melbourne native Manek released a solo album, Tarquin Magnet, on Blackest Ever Black last year, and is a member of the bands F ingers and Tarcar (he’s also behind LST and several other more incognito projects). Currently in Europe for recording sessions and selected live dates (please direct any booking enquiries here), he will release a new record in Autumn/Winter 2016.


RA.528 Raime – podcast now available


Raime have recorded a mix of old-school garage, grime and 4×4 for Resident Advisor’s podcast series, available now. It features tracks by the likes of Geeneus, Anthill Mob, Sunship, DJ Scud and DJ Charmzy; as they explain in the accompanying Q&A, productions of this ilk strongly influenced the arrangements, basslines and drum programming of their recently released Tooth album.


Blackest Ever Black presents DJ Benetti, Dynamo Dreesen, Nina & GoodNews at OHM, Berlin, 12.8.16



On Friday 12 August, Blackest Ever Black bids a fond and sweaty farewell to Berlin, its home of the past three and a half years, with a party at our favourite club in the city, OHM. Music comes from William Bennett in his lesser-spotted, italo and hi-NRG-evangelising DJ Benetti guise; the brilliant Dynamo Dreesen; and Golden Pudel regulars and Vis label heads Nina and GoodNews.

Tickets are just €4+booking fee if you take advantage of the early bird offer, or €6 on the door. More information here.


Take me I’m yours: a limited edition BEB sampler compiled for Monorail Music


Those very decent sorts at the Monorail Music record store in Glasgow have invited us to include compile a Blackest Ever Black CD label sampler, which they will be giving away free with purchases of the new Raime album and other BEB material, while stocks last (it’s a limited edition of 100).

Available in-store and online from June 13, the disc is housed in a pro-printed card wallet (that’s the cover artwork above) and includes eighteen recent catalogue highlights from the likes of Bremen, Carla dal Forno and Secret Boyfriend, as well as a brand new track by Naaahhh that is currently unavailable anywhere else. Please contact Monorail directly for more information.


May 2016:
Zully Adler – Casual Junk (Second Edition) (House Rules, 2016)
Officer! – Never Mind The Bucket (forthcoming Blackest Ever Black / Life & Living)
John T. Gast – Invocations II (self-released, 2016)
Whitehouse – The Sound Of Being Alive (Susan Lawly, 2016)
David Kavanagh – The Creation Records Story: My Magpie Eyes Are Hungry For The Prize (Virgin, 2001)
Carla dal Forno – You Know What It’s Like (forthcoming Blackest Ever Black)
Richard Pinhas & John Livengood – Cyborg Sally (SouffleContinu, 2016)
Lerosa – IDLE038 (forthcoming Idle Hands)
Pandilla – Street Manifest (Project London Raw, 2016)
Futers – 12″ (777 Recordings, 2016)
Metropolis – Angstpolitiek (Pinkman Broken Dreams, 2016)
Joanne Harris – Gentlemen & Players (Doubleday, 2005)
Various – B12 Records Archive: Volume 5 (B12, 2009)



Raime share new track ‘Glassed’, play Berlin Atonal and London launch show


You can now listen to ‘Glassed’ – the second track to be shared from Raime‘s upcoming album, Tooth – via YouTubeSoundcloud and Spotify. For more information on Tooth, which is due to be released on June 10, 2016 on deluxe 2xLP, CD and digital formats, click here.

Raime play an intimate live show to launch the album at Birthdays, London, on Tuesday 14 June – tickets are available here. They have also just confirmed a live set at this year’s Berlin Atonal festival, which takes place August 24-28.


A14-03: Pessimist – Balaklava

The third release on Blackest Ever Black’s A14 series is a 12″ by Ruffhouse member Pessimist. Balaklava bridges icy drum’n’bass minimalism and sub-aquatic dub-techno meet, offering a perfect alignment of stripped, shadow-boxer drums, swooping drones and earth-shaking subs, with a thin layer of crackle and masterful use of silence… can hear the influence of Chain Reaction outliers, Source Direct, even early dark garage in there….but this is pure futurist blend. More information here.


Blackest Ever Black presents Jac Berrocal, David Fenech & Vincent Epplay + Tarquin Manek + Silvia Kastel at Kantine am Berghain, 26.05.16


Following their incendiary performance for the Five Wretched Years of Blackest Ever Blackevent at London’s ICA last year, we’re pleased to bring Jac Berrocal, David Fenech & Vincent Epplay to Berlin for a show at Kantine am Berghain on Thursday 26th May.

Support comes from Tarquin Manek, his first show in Europe since the release of his Tarquin Magnet LP in December, and Silvia Kastel, who has work forthcoming on the label. DJ support comes from Orson, who runs the brilliant Version label with Hops.

More information here. Advance tickets available here.



March/April 2016:
Jesse Jarnow – Heads: A Biography of Psychedelic America (Da Capo Press, 2016)
Sue Townsend – Adrian Mole: The Cappuccino Years (Michael Joseph, 1999)
Kevin Pearce – You Know The Name: The Lovers, The Dreamers, and Bobby Scott (Your Heart Out, 2015)
David Keenan – England’s Hidden Reverse (revised & expanded) (Strange Attractor Press, 2016)
The Invitation (dir. Karyn Kusama, 2015)
Mikey & Nicky (dir. Elaine May, 1976)
Stephen Armstrong – The White Island: The Extraordinary History of the Mediterranean’s Capital of Hedonism (Black Swan, 2005)


The latest episode of the Blackest Ever Black show on Berlin Community Radio has been archived and is now available to stream/download via Soundcloud and Mixcloud. No BEB tracks this month, all stuff from further afield, old and new, from the likes of BJ Cole, Disco Mantras, B.B. Seaton, Lutan Fyah, Fourth World Magazine, Eggs, Primal Scream and Hidden Operator.



Night School Records showcase at West Germany, Berlin, on Saturday 25 June: CC Dust, Liberation (electronic pop solo project of Rat Columns’ David West) and Apostille, plus Blackest’s own Carla dal Forno. More info here.


Raime: Tooth (BLACKESTLP014 | CD014 | DL014)


Raime’s second album, Tooth, arrives June 10, 2016 on 2xLP, CD and digital formats. The widescreen melancholia of their 2012 debut, Quarter Turns Over A Living Line, gives way to an urgent and focussed futurism, in the shape of eight fiercely uptempo, minimal, meticulously crafted electro-acoustic rhythm tracks. The DNA of dub-techno, garage/grime and post-hardcore rock music spliced into sleek and predatory new forms.

No let-up, no hesitation. Needlepoint guitar, deftly junglist drum programming, brooding synths and lethal sub-bass drive the engine. The production is immaculate, high definition. No hiss, no obscuring drones or extraneous noise: the music of Tooth is wide-open and exposed. The seeds of its supple dancehall biomechanics can be found in the self-titled 2013 EP by Raime side-project Moin, an ahead-of-its-time synthesis of art-rock and soundsystem sensibilities, but Tooth pushes the template further, binding the disparate elements together so tightly that they become indistinguishable from one another.

If Quarter Turns was an album that confronted total loss and self-destruction, even longed for it, then Tooth is the sound of resistance and counter-attack: cunning, quick, resolute; calling upon stealth as much as brute-force. At a time when so many pay lip service to experimentation without ever fully committing themselves or their work to it, Raime return from three years of deep, dedicated studio research with a bold and original new music: staunch, rude, and way out in front.

The vinyl is a 2xLP set, pressed on heavyweight 180g vinyl and housed in a matt laminated gatefold sleeve with spot-gloss detail, download code and two printed inners, and is available to pre-order here, as are CD and digital formats. Pre-orders of all formats come with instant download of ‘Dead Heat’ and full album download on the official release date.

More information here.


Very excited to be DJing this Saturday at my favourite night in Berlin: Version, hosted by Orson and Hops. Expect sub-zero grime, dancehall, breakbeat and wave stuff from me, and all manner of impeccable, post-dubstep fwd business from the main men. Ohm, Berlin, 11pm-7am on Saturday 19 April.  More information here.


Dalhous’s The Composite Moods Collection Vol.1 out now


The new album by Dalhous, The Composite Moods Collection Vol.1: House Number 44, is out now on double-vinyl and digital formats. The 2xLP set, available direct from Blackest Ever Black and all other good retailers, comes housed in a matt varnished sleeve with spot-gloss detail, with download code included; the digital is available to stream and download from all the usual outlets, including our Bandcamp.

Listen to ‘Lines To The Border’, the album’s closing track, here.



Dalhous’s The Composite Moods Collection Vol.1 out now; new mix and interview


Dalhous’s new double-LP, The Composite Moods Collection Vol.1: House Number 44, is out now on digital formats; the vinyl is on general release from Friday (25 March).

To herald the album’s arrival, Marc Dall recorded a mix of predominantly soundtrack influences for Xplaylist, featuring pieces from (among others) Graeme Revell, Hahn Rowe, Klaus Schulze, Mark Isham, Eric Vann and Gil Mellé. Listen here:

Dall talks about the making of the album, and Dalhous in general, in this interview with Sounds Of A Tired City. You can buy The Composite Moods Collection Vol.1 on download formats directly from our Bandcamp now.



Jane Arden ‘Sleepwalking’ 7″ lathe


Two songs from the soundtrack of Jane Arden and Jack Bond’s Anti-Clock (1979), both sung by the late Arden herself, appear on a new 7″ lathe-cut from Blackest Ever Black, available in a strictly limited edition of 50 copies. The 7″s are housed in clear plastic sleeves with screen-printed, wraparound card inserts, in two colour-ways (to be randomly distributed). Pre-orders ship in the w/c March 27, 2016.

For those of you who miss out on this edition, don’t panic: both songs will appear as part of the full Anti-Clock soundtrack LP which will be released later this year.


Dalhous to perform at The Long Now, share ‘End Of Each Analysis’

Dalhous promo 1 Dec 2015-1000

March 2016 sees the arrival of a new album by Dalhous, The Composite Moods Collection Vol.1: House Number 44, the first of a new trilogy of releases from Marc Dall’s Edinburgh-based project. Following initial taster ‘Methods of Élan’, you can now listen to another song taken from the forthcoming LP, ‘End Of Each Analysis’.

Dalhous will be performing live as part of The Long Now, a special event curated Berno Odo Polzer, Laurens von Oswald and Harry Glass in association with the Berlin Festspiele. It takes place at the formidable Kraftwerk venue – home also to the Berlin Atonal festival. Dall and longtime co-conspirator Alex Ander will play an extended 90-minute set, on a bill that also includes Moritz von Oswald & Rashad Becker (premiering their new collaborative work, fathom), Dan Vincente (Acronym), and Manuel Nawri conducting a performance of John Cage’s 1992 work Fifty-Eight. More information and tickets can be found here.


Diät EU/UK tour


Having opened the Five Wretched Years of Blackest Ever Black night at Berghain back in October, Diät – the best band in Berlin – embark on a European tour this March, including six dates up and down the UK. Catch them if you can. Their debut album, Positive Energy, is out now.


Happy Valentine’s Day

Happy Valentine’s Day. Our gift to you: a shot of pure heartache from People Skills, in the form of ‘Town of Diana’, taken from the album Gunshots From Crestridge – due out on Blackest Ever Black in Summer 2016. For those of you unfamiliar with Jesse Dewlow’s People Skills project, we recommend you check out his 2014 LP for Siltbreeze, Tricephalic Head, which is currently available digitally from the Free Music Archive. Expect more of that high lonesome sound on the forthcoming Gunshots.


Caroline K: Now Wait For Last Year (BLACKEST050 | GG127-3)


The last thing the world needs is another reissue of ’80s industrial/post-punk/minimal synth, eh? But those of you who are in any way familiar with Caroline K’s Now Wait For Last Year will understand why, when given permission to release a new vinyl edition of this outstanding 1985 album, we really couldn’t help ourselves. The work of the late Caroline Kaye Walters, co-founder of Nocturnal Emissions, it’s truly one of the most adventurous, emotive and accomplished full-lengths to come out of the UK underground in that period, and, thanks to Klanggalerie’s 2010 CD edition and no small amount of online file-sharing, it is firmly established as such (‘Animal Lattice’, you may recall, featured prominently on the inaugural Blackest mixtape, The Scold’s Bridle).

Nonetheless, Now Wait For Last Year has been unavailable on vinyl since its original ’85 pressing on Earthly Delights, which though not impossible to come by, is certainly rare, and certainly expensive. Given the explosion of interest in this sort of music over the past few years, and the sheer number of reissues flooding the market, we assumed it was only a matter of time before Now Wait For Last Year got the wax treatment…but five years passed, and nothing happened, so we decided to do something about it.

Now, in collaboration with Klanggalerie and with the blessing of Walters’ husband, Danny Ayers, we’re extremely pleased to announce a 2016 pressing of Now Wait For Last Year (BLACKEST050 / gg127-3), due out on April 29 and available to pre-order now. For more information on this unclassifiable, Philip K. Dick-inspired masterpiece, click here.


Blackest Ever Bag


Yes, it’s a Blackest Ever Black tote bag…A 38 x 42 cm Westford Mill W101 “bag for life”, to be precise. Ideal for carrying records, groceries, the weight of the world on your shoulders. Black, 100% cotton, 140gsm, with long handles (67cm). Ethically produced and chlorine free. Comfortably holds around 20 12″s/LPs.

Logo screen-printed on one side in light grey by Black Ink Press, Berlin. First edition of 100.

The bag comes free with all webshop orders of other items totalling £30 or more, while stocks last, or you can purchase it separately for £10 (inclusive of shipping). Fore more information or to buy, click here.


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January 2016:
Raime – Title TBA (forthcoming Blackest Ever Black)
David Bowie – Blackstar (ISO/Columbia/Sony, 2016)
Michael Peppiatt – Francis Bacon In Your Blood (Bloomsbury Circus, 2015)
The Guests – Red Scare ’15 (Wilsuns Recording Company, 2016)
Pessimist – Balaklava (forthcoming A14)
Rainforest Spiritual Enslavement – unreleased tracks
Michael White – Popkiss: The Life and Afterlife of Sarah Records (Bloomsbury Academic, 2015)
Acre – Better Strangers (Tectonic, 2015)
Maureen Callahan – Champagne Supernova: Kate Moss, Marc Jacobs, Alexander McQueen and the 90s Renegades Who Remade Fashion (Simon & Schuster, 2015)
Naaahhh – Themes (forthcoming Blackest Ever Black)
Alex Ogg – Independence Days: The Story of UK Independent Record Labels (Cherry Red Books, 2009)
M. Del Rio – ‘Cleft Skull’ (forthcoming Personnel)
Topdown Dialectic – 09 (Aught, 2015)
Brian Pern: 45 Years of Prog and Roll (BBC, 2016)
Paid Reach – I Ping (Paid Reach, 2015)
Sam Kidel – ? (forthcoming The Death Of Rave)
Dean Wareham & Britta Philips – Mistress America: Original Motion Picture Soundtrack (Moebius Literary / Editions Milan, 2015)



Vicious Circle: a new subscription service for Blackest Ever Black releases


For the past three or four years, Blackest Ever Black’s bread and butter has been its webshop and attendant mailorder service. In this time, your loyal support (and patience when required) has been of huge importance and value to us, enabling us to maintain the frequency and (we like to think) quality of the label’s output.

For a while now, a few of you have been asking whether we might offer some kind of subscription service, allowing you to pay a lump sum upfront and be guaranteed a copy of each new release when it becomes available, rather than having to scramble

Finally, after a bit of thought, a lot of procrastination, and then shamelessly copying the approach of a couple of other labels, we’ve decided to launch just such a service – as a means to reward our most regular customers, and hopefully make their lives a little easier. And, in the tradition of such things, we’ve given this service a silly name, one which not only sounds suitably cloak-and-dagger but also alludes quite bluntly to the addictive, enslaving nature of record-collecting and indeed records themselves: the Vicious Circle.

Why bother? In brief, the advantages of becoming a member are:

  1. You’re guaranteed to receive a copy of every release, no matter how limited the pressing or edition size (in the first half of this year you can expect new releases from Dalhous, Secret Boyfriend, Raime, Carla dal Forno, Tomorrow The Rain Will Fall Upwards and more)
  2. You’ll save £2 on every vinyl release, and favourable shipping rates across the board too
  3. You’ll receive a free 12″/LP/10″/CD of your choice upon becoming a member, or a £5 credit if you prefer
  4. You’ll be entitled to free shipping on every distro item or BEB back catalogue title that you order while a member
  5. You’ll occasionally receive free and/or members-only gifts – e.g. badges, mixtapes, other trinkets
  6. You’ll receive free digital downloads of all Blackest Ever Black releases prior to their street-date, even for those releases which are vinyl-only* releases
  7. You can choose whether you wish to receive just our vinyl releases, or vinyl+tapes, or vinyl+tapes+merchandise.

Intrigued? Yes? No? Maybe? For more information on the Circle and how to apply, click here.

**Please note that membership of the V.C is currently limited to 30 members. Membership will be awarded on a first-come, first-serve basis. The minimum first payment is £30 GBP.**

UPDATE, 11/02/16: All 30 memberships have been filled. If you would like to be placed on the waiting list and be contacted when we’re ready to accept new members, please register your interest with an email to Thank you! 


Dalhous – The Composite Moods Collection Vol.1: House Number 44


A new album from Dalhous, The Composite Moods Collection Vol.1: House Number 44, will be released on 2xLP and digital formats in March 2016 and is available to pre-order now. It’s the first part of a new cycle of recordings that examines the relationship between two individuals co-habiting in the same confined space – their interactions, their sense of self and of each other, and the pregnant space between. One of these people, the protagonist (if you like) of House Number 44, is, or at least believes themselves to be, in fine mental health. The other appears distinctly unwell – detached, isolated, often feeling helpless and unable to influence the world around them; at other times prone to committing acts of extraordinary aggression and manipulation.

For more information, click here.


Magic roundabout


Thanks to our man Chris Farrell for putting on the Idle Hands & Blackest Ever Black party in Bristol last weekend, and for bringing the janitor over. Had a lot of fun, which isn’t something I say very often these days.

Compliments especially to Rhythmic Theory (first time I’ve ever seen him play out: murderer) and Ossia (pictured above), whose incredible set of breakneck techno was not at all what I expected, but exactly what I wanted to hear. Thank you Bristol people: Richard Carnes, Andy Payback, Ruffhouse, Alex Tape-Echo, Shanti Celeste, Daisy Moon, Benji Semtek. Already looking forward to next time, if there is one. There certainly should be.

In a week or so we should have a few offset prints of the poster for the night, designed by Tape-Echo, available from the BEB webshop, Idle Hands and Ossia’s RWD>>FWD. Will let you know.

Rhythmic Theory’s release on our A14 imprint, Forgotten Realms, is out now; we’re currently out of stock but should have a handful more copies. Ossia’s ‘Red X’ 12″ for Blackest is now sold out at source, but you can still find it in shops at more or less RRP; the title track is finally available digitally, but only as part of our Radio Caliban: Blackest Ever Black “Singles” 2015 compilation (also available on cassette).


Berlin Community Radio, January 2016

The first Blackest Ever Black radio show of 2016 was broadcast live on Berlin Community Radio earlier this week. Two hours of music, including new/forthcoming label material from Carla dal Forno, People Skills, Nah, Dalhous and Tomorrow The Rain Will Fall Upwards; recent stuff from around and about, including tracks from Felix K, Livio Improta and the Aught label; classics from The Orchids, Clarence, The Gun Club; unreleased bits from Ossia and Tarquin Manek; and more. You can find the show on Mixcloud, and on Soundcloud as well.


Idle Hands & Blackest Ever Black – Take 5, Bristol, 09/01/16

take 5 flyer

Happy new year. We begin 2016 as we mean to go on – impulsively? – with a party in Bristol co-hosted with our friends Idle Hands. It takes place this Saturday 9 January at the one and only Take 5 Cafe, with music from Rhythmic Theory, Ossia, Idle Hands bossman Chris Farrell, and yours truly. If you’re in the area, hope to see you there.

Mailorder customers, thanks for your patience while we catch up on things this week: we’ve a huge backlog of orders to ship and emails to respond to after three weeks off, and we’re working our way through it as quickly as we can.


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Some records of the year.

Af Ursin – De Overkant (La Scie Dorée)
Blue Suede Platforms – S/T (All Gone)
Brunnen – Sometimes My Arms Bend Back (Vrystaete)
Coneheads – L.P.1 Aka 14 Year Old High School PC-Fascist Hype Lords Rip Off Devo For The Sake Of Extorting $$$ From Helpless Impressionable Midwestern Internet Peoplepunks L.P. (Erste Theke Tonträger)
Cooper Bowman – Uexkull ‎ (Altered States Tapes)
David West – Drop Out of Collage (Happy Endin’)
Diat – Positive Energy (Adagio 830 / Iron Lung)
Dubkasm vs Gorgon Sound – Live At The Trinity Centre (Peng Sound)
Enhet For Fri Musik – Dokument 1: Improvisationer Och Bandmusik For Vilt Dansande Sjalar (Holidays)
F ingers – Trilogy: They Got The Best Heart (Self-released)
The Frightening Lights – Untitled (Bruit Direct Disques)
Hour House – Chiltern (Penultimate Press)
Hutte – Child of The King (Сигнал)
John T. Gast – Excerpts (Planet Mu)
The Lloyd Pack – A Tribute (Amish)
LST – Th Duo (Another Dark Age)
O$VMV$M – O$VMV$M (Idle Hands)
Pigeons – The Bower (MIE Music)
Russell St Bombings – Russell St Bombings (Smartguy)
Schoolhouse – Herd (Tombed Visions)
Toilet Roll Dolls – Toilet Roll Dolls (Breakdance The Dawn)

Beatrice Dillon – Face A/B (Where To Now?)
Busen – Busen (General Elektro)
Chiwiniso – Zvichapera (Nyami Nyami)
Codex Empire – Kingsevil (Aufnahme + Wiedergabe)
DJ Slyngshot – Battlecat (YAPPIN)
DJ Sotofett – TDD-DDRR-IPP MIX (Laton)
Domenique Dumont – Comme Ça (Antinote)
Felix K & Wan2 – Antitheorie (Hidden Hawaii)
Flesh World – Just To Tear Me Down (Iron Lung)
Mix-O-Rap – For Thugz (Peoples Potential Unlimited)
Orson & Skratch – Nucleus (Version)
Pact Infernal – The Descent (Samurai Music Horo)
Ruffhouse – Straight 9’s / UVB-76 (Samurai)
Silvia Kastel – 39 / Subtract (Phase!)
SPR – Concubine (V-I-S)
Strict Face – Into Stone / Widows Version (Different Circles)
Susanna Gartmayer – AOUIE (God / Chmafu Nocords)
Wiley – From The Outside (Actress’s Generation 4 Constellation Mix) (Big Dada)

Ashtray Navigations – A Shimmering Replica (VHF)
Boche – Beats (Entr’acte)
Caroline K – Now Wait For Last Year (Klanggalerie)
The Cocoon – While The Recording Engineer Sleeps (Staubgold)
Female – Angel Plague (Downwards)
Joshua Burkett – Gold Cosmos (Feeding Tube)
Lloyd Cole & The Commotions – Collected Recordings 1983-1989 (Universal/Polydor)
Michael Head & The Strands – The Magical World of The Strands (Megaphone)
Mount Vernon Arts Lab – The Seance at Hobbs Lane (Ghost Box)
Normil Hawaiians – Return of The Ranters (Upset The Rhythm)
Paki Vasnadi – Imaginary Choreography (Antinote)
Psychick Warriors of Gaia – 1989 (Sacred Summits)
Ricardo Villalobos – Easy Lee / Dexter (Sei Es Drum)
Sunday Painters – In My Dreams (What’s Your Rupture?)
VA – Neu Konservatiw (Walter Ulbricht Schallfolien)
Vincent Over The Sink – 22 Coloured Bull Terriers (Another Dark Age)
Whitehouse – Halogen (Dirter Promotions)

Tarquin Manek: Do You Know The Mind Of A Bullet?


Do You Know The Mind Of A Bullet? is a mini-album of sketches and improvisations recorded by Tarquin Manek (F ingers, Tarcar, LST) in Summer/Autumn 2015. Originally intended only to be released on a limited edition cassette given away with initial pre-orders of Tarquin’s new LP proper, Tarquin Magnet, in the end we decided that this music deserved to be made more widely available and so, in addition to the tape (which is sold out), Bullet? is now available as a free download. If you’re familiar with Tarquin Magnet, consider it a crucial addendum to that record; for the rest of you, it provides a good introduction to Manek’s work. More information here.


BLACKEST045: Secret Boyfriend – Memory Care Unit


We’re very pleased to announced the new release of Memory Care Unit – a new long-form offering of poignant, isolationist machine music from Secret Boyfriend. Eschewing the cryptic and compact song-sketches that characterised his 2013 Blackest Ever Black LP, This Is Always Where You’ve Lived, Ryan Martin instead guides us through vast interior topographies and nerve-damaged ambiences that comfort and deceive like memory itself.

Beginning with ‘The Singing Bile’ – minimal synth submerged and subjected to an almost oceanic pressure – the tracks are mostly crude, extended live improvisations, recorded straight to tape. Martin’s loose intention was to subtract himself from proceedings and “let the music play itself”, but the erasure is not quite complete: on the contrary, each piece feels distinctly authored, and charged with personal significance. The atrophying loops of ‘Memorize Them Well’ broach the elegiac grandeur of Gas and William Basinski, while ‘Paean Delle Palme’ summons E.A.R., Af Ursin, and the clammy, opioid exoticism of :zoviet*france:*’sJust An Illusion. The album is largely instrumental, but there are two weighty exceptions: the sprawling, drumbox-driven space blues of ‘Little Jammy Centre’ and the guileless yearning of ‘Stripping At The Nail’. This is electronic pop undressed, unravelled and mapped onto the infinite wave.

The album will be released in January 2015 on vinyl and digital formats; for more information and pre-orders, click here.


Fortunes past, fortunes begun


Blackest Ever Black will be based in Melbourne, Australia for the remainder of the year, but our mailorder will continue to operate more or less as normal from Berlin during this time. However, please note that any orders placed after December 10, 2015 will not be processed until January 2016 – given how many packages sent during the Christmas period end up delayed or lost, it’s simply not worth it.

Customers who pre-ordered Chris Farrell’s No Vampire (pictured above), New Private Window’s The Desperate Hours, Blackest Ever Black’s Id MudId Mud (second edition), or one of Jasmine Deporta’s signed Tropic of Cancer prints, please note that these items are all in the process of being shipped – we’d hoped to have them all dispatched by the end of last week, but it’s all taken a little longer than we imagined. If things go to plan, they should all be on their way by the end of this week (November 27). Thank you for bearing with us.

Tarquin Manek’s Tarquin Magnet and Rhythmic Theory’s ‘Forgotten Realms’ 12″ will be out in the first week of December, with Bremen’s Eclipsed following soon after. That will be your lot for 2015, though in the next couple of weeks we will announce – and list for pre-order – our first releases of 2016.



October 2015:
Gabriel Saloman – Movement Building Pt.1 (Shelter Press, 2015)
Bill James – Gospel (1991 | The Murder Room, 2013)
Phil Norman – A History of Television in 100 Programmes (The Friday Project, 2015)
Dalhous – The Composite Moods Collection Vol.1 (forthcoming Blackest Ever Black)
London Spy (BBC, 2015)
Tarquin Manek – Do You Know The Mind Of A Bullet? (forthcoming Blackest Ever Black)
Isolation – Isolation (Riverside, 1973)
Cocoon – While The Recording Engineer Sleeps (Staubgold reissue, 2015)
Jazzateers – Don’t Let Your Son Grow Up To Be A Cowboy (Cherry Red, 201
Dan Melchior Und Das Menace – Catbirds & Cardinals (Northern Spy, 2011)
Beauty Contest – Feel Fault (What’s So Funny About…, 1985)
Helios Creed – X-Rated Fairytales (Subterranean, 1985)
Idea Fire Company – Lost At Sea (Recital, 2015)
Normil Hawaiians – Return Of The Ranters (Upset The Rhythm, 2015)
Regis – The Boys Are Here mixtape (forthcoming Blackest Ever Black)
Besombes/Rizet – Pole (Gonzai reissue, 2015)


Guard your time carefully

Friday just gone (October 30), we dispatched with the second and final of Blackest Ever Black’s fifth birthday celebrations, at Berghain in Berlin. I’d like to take this opportunity to thank all of the artists who performed at this event, and at the London event at the ICA back in September: Raime, Regis, Prurient, Tropic of Cancer, Felix K, Philipp and Ian Death Disco, Diat, Jac Berrocal, David Fenech, Vincent Epplay, Af Ursin, Officer!, Ashtray Navigations, F ingers, Stefan Jaworzyn, Dalhous, AD Jacques, William Bennett and Brian Not Brian.

Thanks too to: Matt Williams, Ben Moon and all at ICA; Andre, Andreas, Jan, Martin and all at Berghain; Sanjay, Greg, Laura, Sam Dunn, Jack Bond, Thomas and Black Ink Press, Oliver Smith, Jasmine Deporta, Snowman, Ben Britto, Lisa Fairview and Andrew, and not forgetting the numerous support staff who helped keep the wheels on the bus, and in some cases helped build the bus in the first place.

While I’m in a sentimental mood, or more sentimental than usual at any rate, I’d like to say a final word of thanks to all the artists and technicians who’ve contributed to the label, and to those fans and friends who’ve supported us, over the past five years.



BLACKEST048: Bremen – Eclipsed


Bremen – the duo of Jonas Tiljander (Brainbombs) and Lanchy Orre (Brainbombs, Totalitar return with a new double-album of glacial electronics and smouldering space-rock minimalism, Eclipsed, due out on Blackest Ever Black in December and available to pre-order now. Arriving little more than a year after their last outing on BEB, Second Launch, it’s another masterpiece of black hole psychedelia from one of the greatest underground rock’n’roll units on the planet. More information here.


Blackest Ever Black & Idle Hands on Berlin Community Radio


Following a month off, Blackest Ever Black will be back on Berlin Community Radio on Monday 26 October, 6pm-8pm CET, joined for this show by a special guest and very old friend of ours: Chris Farrell, boss of the Idle Hands record store and label in Bristol. We first crossed paths 12 or so years ago, when Chris was working at the late Imperial Records in Bristol; he’s played records for us at a couple of BEB parties in the past, and this month also sees the release of his No Vampire mixtape through our Krokodilo imprint. Oh and we’re planning to hatch a joint label, Silent Street, in 2016, if time allows. Chris taught us at least seven tenths of what we know that’s worth knowing, and our tastes intersect at a lot of different levels – from winsome indie-pop on up (or down?) – so it should be an interesting couple of hours of music. Listen live at


Tropic of Cancer tour tape

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Responding to the fact that the two new Tropic of Cancer records, Stop Suffering and Archive: The Downwards Singles, won’t quite be ready in time for the start of their imminent European tour, we’ve produced a one-off tape release combining the tracks from both releases. The tape, pro-dubbed and housed in a white and clear library case with printed inlay featuring photography by Jasmine Deporta, is a limited edition of 150 copies; the bulk of the edition will be available only at Tropic of Cancer’s live shows, but we’ve siphoned off a handful of copies for web customers. More information here.


BLACKEST047: Tarquin Manek – Tarquin Magnet


Tarquin Magnet is an album by Tarquin Manek (F ingers, Tarcar, LST), his first full solo release for Blackest Ever Black, and a unique synthesis of time-dilating folk jazz romanticism, brittle chamber dub and plasmic post-techno electronics. Due to be released in late November, it’s available to pre-order on vinyl and digital now; the first 30 vinyl pre-orders come bundled with an exclusive Manek tape, Do You Know The Mind Of A Bullet?, containing archival material unavailable elsewhere.

More information here.


Manbait is here


Manbait, our compilation of Regis’s 2010-15 productions for Blackest Ever Black, is out now on vinyl, CD and digital formats – more information here. Regis will be appearing as part of the Five Wretched Years of Blackest Ever Black showcase at Berghain, Berlin, on October 30.



August/September 2015:

Dior and I (dir. Frederic Tcheng, 2015)
Rob Chapman – Psychedelia and Other Colours (Faber & Faber, 2015)
Carla dal Forno – Title TBC (forthcoming Blackest Ever Black)
The Pretty Things – Emotions (Fontana, 1967)
Edward St Aubyn – Bad News (Picador, 2012)
45 Years (dir. Andrew Haigh, 2015)
Hanna Mekonnen – Ali New Biye (Version) (Eastern Connection, 2015)
Dr Yen Lo – Days With Dr Yen Lo (Pavlov Institute, 2015)
Various Artists – The Rubble Collection Vol. 2 – Pop Sike Pipe Dreams (Bam Caruso, 1984)
L. Sae – The West End As It Will Be (Timedance, 2015)
David Cavanagh – Good Night And Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Life (Faber & Faber, 2015)
The Times – Go! With The Times (Pastell, 1985)
Sicario (Denis Villeneuve, 2015)
Stephen Witt – How Music Got Free: What happens when an entire generation commits the same crime? (Vintage, 2015)
Paula Hawkins – The Girl on the Train (Doubleday / Transworld Digital, 2015)
The Groundhogs – BBC Session (7th December 1972) (Parlophone, 2009)
Martin Newell – Teatime Assortment (Captured Tracks, 2015)
The Decline of Western Civilization Collection (dir. Penelope Spheeris) (Second Sight, 2015)
Michael Head and The Strands – The Magical World of the Strands (Megaphone reissue, 2015)
Ashtray Navigations – Title TBC (forthcoming Blackest Ever Black)


Tropic of Cancer 2015 European tour, LA send-off


Tropic of Cancer are touring Europe this year, for the first time since 2013, and for the first time in their new three-piece live configuration: Camella Lobo will be joined on-stage by Taylor Burch (Dva Damas) and Joshua Eustis (Sons of Madgalene, Telefon Tel Aviv).

The dates are listed on the poster above, and include the now sold-out show at Berlin’s Berghain as part of the Five Wretched Years of Blackest Ever Black showcase there. Please note that while the early concert part of the evening (Tropic of Cancer + Diät) is completely sold out, and advance tickets are no longer on sale, there will be plenty of tickets available on the door for the second part of the event, which commences at midnight and features Raime (live), Prurient (live), Regis and Felix K.

Before they head our way, Tropic of Cancer will play a send-off show in Los Angeles – their only remaining US date of the year. Presented by Werkartz and Mount Analog, this intimate gig will take place at Werkartz, Arts District, 927 S. Santa Fe Ave, Los Angeles, CA 90021, on Saturday 17 October. More information here.

Tropic of Cancer’s new EP, Stop Suffering, and their Archive: The Downwards Singles reissue 12″, are both due to be released at the start of November. A limited edition, tour-only cassette featuring both releases on one tape, with exclusive artwork, is currently being prepped.


Stream I Can’t Give You Life The Want compilation in full


After months of delays, finished copies of our US vinyl-only compilation, I Can’t Give You The Life You Want, finally landed the week before last. We’ve sold out of our stash on pre-order, but copies are still available from Mount Analog (last time we checked). The comp features exclusive tracks from the likes of Cut Hands, Secret Boyfriend, Bremen, Dalhous, Tropic of Cancer and Exploring Jezebel, and is currently available to stream in its entirety over at Spin, where you can also read an interview with the janitor about the first five years of Blackest Ever Black’s life.


Low Company compilation now available from BEB webshop


The last remaining copies of Low Company, the limited edition (150 copies) cassette compilation we put together to mark the Five Wretched Years… event at the ICA last week, are now in stock and available to buy from the BEB webshop. The comp features exclusive tracks from Officer!, Ashtray Navigations, Dalhous, Af Ursin, F ingers, AD Jacques, Stefan Jaworzyn and Jac Berrocal, David Fenech & Vincent Epplay.


Blackest Ever Black on NTS, 21/9

Apologies for a recent lack of updates here, the Five Wretched Years of Blackest Ever Black event in London was rather consuming. So now, with little regard for precise chronology, a barrage of posts alerting you to things that happened in the past fortnight or so.

On Monday 21 September, Blackest Ever Black visited the NTS Radio studio in Dalston for a one-off show. Raime were supposed to be joining us too, but had to bail due to last-minute recording commitments. You can listen to the show here.


Low Company


Low Company is a special cassette release compiled to mark the Five Wretched Years of Blackest Ever Black event at the ICA, London, on September 26, 2015. It features exclusive, previously unreleased tracks from all eight of the artists performing live at the event: that’s F ingers, Officer!, Af Ursin, Dalhous, Ashtray Navigations, AD Jacques, Stefan Jaworzyn and Jac Berrocal, David Fenech & Vincent Epplay. Produced in a strictly limited edition of 150 copies, the first opportunity to buy the tape will be from the merch table at the event itself; any left over will be available from the BEB webshop from 6pm on September 28, 2015. More information here.




Tropic of Cancer: new EP and reissue 12″


Following their contribution to our I Can’t Give You The Life You Want compilation, we’re pleased to announce the return of Camella Lobo’s Tropic of Cancer with a new EP, Stop Suffering.



blackest041-packshot-0815This three-track 12″ and digital EP, with cover photography by Jasmine Deporta, is due to be released on October 30, 2015. We will simultaneously be releasing a Tropic of Cancer 12″ entitled Archive: The Downwards Singles, which collects the three original songs (‘The Dull Age’, ‘Victims’ and ‘Be Brave’) from TOC’s brace of 2009-11 Downwards singles on one 12″, with new artwork by Silent Editions.

Tropic of Cancer will be touring Europe this Autumn; full dates to follow.


Berlin Community Radio, August 2015

The August ’15 edition of the Blackest Ever Black show on Berlin Community Radio has now been archived for your listening pleasure. Highlights include new/exclusive BEB material from Tarquin Manek, F ingers, Dalhous and Officer!, most of it taken from the forthcoming cassette compilation Low Company (of which more soon), recent cuts from Busen, Acido, Forum; a Hanna Mekonnen track played at the wrong speed; divine 7″s from People Like Us & Ergo Phizmiz, Raum and World of Pooh that we’ve owned for years but had almost completely forgotten about; and a very brief trip down hardcore NY rap’s corpse-strewn memory lane.

More information and tracklist here.


F ingers on tour


F ingers‘ sublime Hide Before Dinner LP is due out on September 4, and the band will be touring Europe in support of it this Autumn, including dates with Cured Pink and Rat Columns, and an appearance at the Five Wretched Years Of Blackest Ever Black event at London’s ICA (with Jac Berrocal, Officer!, Ashtray Navigations, Stefan Jaworzyn, Af Ursin, Dalhous and more). Full dates are below.

If you have any bright ideas for the dates marked ‘???’, drop us a line.

A limited edition F ingers tour tape containing all-new material, Trilogy: They Got The Best Heart, will be on sale at the gigs (we also have a few copies available now from the BEB webshop).

30 AUG SUN – PRAGUE @ OUTDOORS @ Štvanice w/ Rat Columns
9 SEP WED – WARSAW @ MOZG w/ Cured Pink
24 SEP THURS – LISBON @ ZDB w/ Cured Pink
26 SEP SAT – LONDON @ ICA Event – Five Wretched Years of Blackest Ever Black
28 SEP MON – BERLIN @ TRICKSTER w/ Rat Columns


A podcast from Dalhous

The Abyssal Podcast series’ guest contributor this month is our very own Dalhous. When invited to record podcasts in the past, Marc Dall has invariably chosen to use only his own music (including many exclusives and re-samples). This latest is unusual, then, in that it’s a selection of other people’s music – among them Edgar Froese, Mark Isham and Ed Tomney – and as such it provides a rare insight into some of Dall’s influences and home listening.

A new Dalhous album, The Composite Moods Collection, is being mastered next week. More information soon.


I can give you the life you want (for a limited time only)

For those of you who missed out earlier in the year, we’ve put our last 20 copies of the I Can’t Give You The Life You Want compilation (BLACKESTUSA001) up for pre-order. Released in a limited edition of 500, this vinyl-only comp features all-new material from the likes of Cut Hands, Bremen, Tarcar, Dalhous and Tropic of Cancer. It’s finally due out in mid-September.

Although these 20 are the last of our label copies, the record is also currently still available to order direct from Mount Analog in LA.


Rat Columns European tour


Perth-based Rat Columns are touring Europe in late August and late September, celebrating the release of their Fooling Around E.P. on Blackest Ever Black, and their Do You Remember Real Pain? EP on Adagio830. The tour kicks off in Berlin at Bei Ruth this Friday, 28 August, and includes a couple of shows with BEB’s own F ingers. Below is a full list of dates as they stand; if you’ve any help or suggestions to offer for the shows marked ‘???’, get in touch.

28 AUG FRI – BERLIN @ BEI RUTH w/ Future Punx
29 AUG SAT – HALLE @ Hühnermannhattan w/ Future Punx
30 AUG SUN – PRAGUE @ OUTDOOR SHOW @ Štvanice w/ F ingers
1 SEPT TUES – BUDAPEST @ Müszi w/ F ingers
4 SEPT FRI – LUZERN @ KLUB KEGELBAHN w/ Thee Irma & Louise
5 SEPT SAT – BASEL @ HIRSCHENECK w/ Thee Irma & Louise
6 SEPT SUN – BERN @ CAFETE w/ Thee Irma & Louise
10 SEPT THURS – BARCELONA @ ALMO2BAR w/ Zephyr Lake, $SDVORE & Heather
14 SEPT MON – PARIS @ L’ESPACE B w/ Blank Realm & Kitchen’s Floor
19 SEPT SAT – MANCHESTER @ FUEL CAFE (WILMSLOW RD) w/ Apostille, Slowlight & Gut Model
25 SEPT FRI – KOPENHAGEN @ Spillestedet Stengade w/ La Luz, Moon City Boys, Munnen


William Bennett (DJ) joins ICA line-up; special edition cassette comp incoming


As previously announced, Blackest Ever Black begins its fifth anniversary celebrations with an all-day and evening event at London’s ICA on Saturday 26 September.

The evening concerts features live performances from Jac Berrocal, David Fenech & Vincent Epplay, Officer!, and Af Ursin; with DJ support from Raime. In the daytime, there are live performances from Ashtray Navigations, Stefan Jaworzyn, F ingers, Dalhous and AD Jacques; plus a screening of Jane Arden & Jack Bond’s 1979 film Anti-Clock. And we’re now pleased to announce that William Bennett will be DJing in the bar between the daytime and evening sessions.

Tickets are available separately for the daytime and evening sessions; a discounted day+evening ticket (“multi-buy offer”) can be purchased from either page.

A limited edition C50 cassette compilation, specially assembled to mark the occasion and featuring exclusive tracks from all of the participating live performers – the Jac Berrocal trio, Af Ursin, Officer!, Dalhous, AD Jacques, Ashtray Navigations, Stefan Jaworzyn and F ingers – will be on sale exclusively at the event. Any copies not sold on the day will subsequently be made available to purchase online via the Blackest webshop. Full details to follow.

Also forthcoming: limited edition screen prints of the gig posters for both (ICA and Berghain) Five Wretched Years of Blackest Ever Black events.


Tarcar live at Berlin Atonal this week


Tarcar will be playing an extended 2-hour live set at Berlin’s Ohm club this Wednesday, 19 August, for one of the Atonal festival’s official afterparties, sandwiched between DJ sets from Healing Force Project.

Carla dal Forno and Tarquin Manek debuted their duo project on Blackest Ever Black last year with the Mince Glace EP; their instant classic ‘Eija’ features on the upcoming I Can’t Give You The Life You Want compilation; and new material is on its way. Meanwhile dal Forno and Manek’s other band, F ingers, are due to release their Hide Before Dinner LP on Blackest at the end of this month, with a Manek solo album arriving before the year is out.

Also performing at Atonal this week: Chra, which is the current solo incarnation of Shampoo Boy’s Christina Nemec, plays the Main Stage on Thursday (a good recent interview with Christina here); and Regis, both on his own and as part of Ugandan Methods (Friday).


Id Mud


Id Mud is the first CD-R “mixtape” from Blackest Ever Black since 2012’s Dream Theory In Haltemprice. In fact it’s a 2xCD-R set, housed in a hand-made, individually numbered card booklet with white letraset titling and three photocopied inserts of visual/textual material. On the discs: over 140 minutes of music, including a number of exclusive, “mystery” tracks from Blackest Ever Black artists. Strictly limited edition of 60 copies, available to pre-order now for late September dispatch. More information here.


Tropic of Cancer: ‘I Woke Up And The Storm Was Over’


‘I Woke Up And The Storm Was Over’ is a new song by Tropic of Cancer, the project’s first since 2013’s Restless Idylls LP.

It appears on the upcoming, US-only Blackest Ever Black compilation I Can’t Give You The Life You Want (BLACKESTUSA001), released in collaboration with LA’s Mount Analog. Originally slated for release in June, manufacturing issues mean the LP will now land in September 2015. As well as Tropic of Cancer’s contribution, it features exclusive tracks by Tarcar, Bremen, Cut Hands, Dalhous, Infrastructure Zero, 500 Stamps, Tarquin Manek, Barnett + Coloccia, Exploring Jezebel and Secret Boyfriend.

Tropic of Cancer will also release a new, three-track EP on Blackest Ever Black in October 2015, in addition to an archival 12″ (also on BEB) compiling the three original tracks from their brace of classic Downwards singles. Now expanded to a three-piece for live performances (with Camella Lobo joined by Dva Damas’s Taylor Burch and Telefon Tel Aviv’s Joshua Eustis), ToC will tour Europe this Autumn, including a headline appearance at the Five Years of Blackest Ever Black event at Berlin’s Berghain on October 30 (alongside Raime, Prurient, Regis, Felix K and Diät). Full tour dates will be announced soon.



Camella: “[This] was the first track I had written and recorded in more than a year.
“It’s a very personal song. I was coming out of a very rough year. I wanted to package up my feelings in order to understand them. The perspective it gave was a big relief and integral to moving forward with my life.

“I’ve entered a period where I’m much more into taking my time with everything in general. I think this track reflects that. I used to rush through the writing process instead of tending to ideas over a longer period of time.

“This track is also the first time I worked with Joshua Eustis (Telefon Tel Aviv/Sons of Magdalene.) The addition of his mixing and production transformed the impact of the track and shaped it into more than I ever imagined.”

I Can’t Give You The Life You Want is available to pre-order from Mount Analog now, and comes bundled with an exclusive Blackest Ever Black mixtape entitled Truth Or Dare In North America.

Details of the new Tropic of Cancer EP will be announced in the next few weeks.


New distro stock: Thought Broadcast, Diät, Black Rain, Hour House


Various new distro titles available from the Blackest Ever Black webshop this week. These include Social Acid, the latest release from the always compelling Thought Broadcast, released in an edition of 100 on Marco Raspberry Bulbs’ Personnel label, and already sold out at source; Hour House’s wonderful Chiltern House LP on Penultimate Press, which along with Diät’s Positive Energy is undoubtedly one of the records of the year; a re-stock of Penultimate’s handsome 2015 edition of the Ksiezyc LP (something no home should be without); and a brawny new collaboration between Black Rain & Shapednoise on the latter’s own Cosmorhythmatic label.

Still in stock: Hypnotic Sleep’s self-titled LP of drug-destroyed exotica on Berlin’s Static Age; Richard Youngs’ dub-deconstructing Primary Concrete Attack; and that 11-minute d-beat epic from Impalers on Static Shock. Enlivening additions to any record collection, to be sure.


Krokodilo Tapes from Chris Farrell and New Private Window


The latest two instalments in our Krokodilo Tapes are available to pre-order now. No Vampire is a slaughtering 90-minute reggae mixtape from our old friend Chris Farrell, the man behind the Idle Hands record store and label in Bristol; The Desperate Hours is a collage of “self-surveilling internet field recordings and derivative, masturbatory ambience” by Leicester’s New Private Window.

Each of these titles is available in an edition of 100.


Rat Columns’ Fooling Around EP out now


The Fooling Around E.P. by Rat Columns is out now on 12″ vinyl and digital formats. For us it’s the ultimate summer record, light on its feet but full of regret and longing, and the title track in particular surely counts among the very finest to have appeared on this label. The 12″ is housed in a duotone reverse board sleeve with photocopied lyric sheet and download code; you can order it direct from Blackest Ever Black here. Digital is available from Bandcamp, iTunes, Bleep, Boomkat and all the usual suspects, and of course it is streaming via Spotify, Apple Music et al.

Late August sees Rat Columns embark on an extensive European tour; tour dates as they currently stand are listed here.



July 2015:

Tom McCarthy – Satin Island (Jonathan Cape, 2015)
Zbigniew Preisner – Dekalog: Original Film Soundtrack (Because Music reissue, 2015)
The Tenant (dir. Roman Polanski, 1974)
Tomorrow The Rain Will Fall Upwards – Title TBC (forthcoming Blackest Ever Black)
O$VMV$M – O$VMV$M (Idle Hands, 2015)
Andrew Michael Hurley – The Loney (John Murray, 2015)
Amy (dir. Asif Kapadia, 2015)
Enhet For Fri Musik – Dokument 1: Improvisationer Och Bandmusik For Vilt Dansande Sjalar (Holidays 2015)
F ingers – Trilogy: They Got The Best Heart (self-released, 2015)
John Buchan – Memory Hold-The-Door (White Press, 2015)
Dubkasm vs Gorgon Sound – Live At Trinity Centre 30/01/15 (Teachings In Dub / Peng Sound, 2015)
Various Artists – Jazz In Polish Cinema: Out Of The Underground 1958-1967 (Jazz On Film Records, 2014)
Listen Up Philip (dir. Alex Ross Perry, 2014)
Ashtray Navigations – A Shimmering Replica (VHF, 2015)
True Detective: Season Two (HBO, 2015)
Hour House – Chiltern (Penultimate Press, 2015)


July, again

Due to a quirk of scheduling we don’t entirely understand, Blackest Ever Black is back on Berlin Community Radio for a second time this month. The shows goes out via today (Tuesday 28 July) at 5pm-7pm CET, and you can expect to hear new label material from F ingers, Tarquin Manek, Ossia, Secret Boyfriend, Rhythmic Theory, Rat Columns and others.


Ossia: Red X


Blackest Ever Black presents Red X, the debut release from Young Echo member Ossia. 10 unyielding minutes of noise-strafed, rootical techno backed with two more abstract, uncanny studies in reverb and delay. One of the Bristol underground’s most vital behind-the-scenes operators, Ossia runs the RWD>>FWD mail-order and oversees the Peng Sound, No Corner and Hotline Recordings labels, among others.

This vinyl-only offering – housed in a devilishly handsome litho- and screen-printed LP-style sleeve, designed by Studio Tape-Echo – is out now and available from Boomkat, Bleep and all the usual suspects, including our own webstore. More information here.


F ingers: Hide Before Dinner

BLACKEST044_packshot (1)

Hide Before Dinner is a new album by F ingers – the trio of Carla dal Forno (Tarcar), Samuel Karmel and Tarquin Manek (LST, Tarcar). Deeply drugged, synth-daubed death-folk and DIY electronics of the highest order. It’s due to be released through Blackest Ever Black on August 31, 2015 on LP and digital formats. More information here.

This very special group will be on tour in Europe this Autumn, including a performance at the Five Wretched Years of Blackest Ever Black event at London’s ICA on September 26. Full list of dates to follow.

The first 20 pre-orders of Hide Before Dinner come bundled with a copy of F ingers new tour tape, Trilogy: They Got The Best Heart.


Five wretched years of Blackest Ever Black: Berghain, Berlin, 30.10.15


RAIME (live) | PRURIENT (live) | TROPIC OF CANCER (live) | REGIS (DJ) | FELIX K (DJ) | DIÄT (live) | DEATH DISCO DJs 
October 30, 9pm. Tickets €20.50 (concert from 9pm + party) / 15€ (party from midnight)

Following the announcement of the first of Blackest Ever Black’s fifth anniversary celebration events, at London’s ICA, we’re now ready to share details of the second: a major offering at Berghain in Berlin, on Friday 30 October.

Like the ICA showcase, the Berghain event is split into two parts. The earlier “concert” part of the night, presented with Death Disco, features a live performance from Tropic of Cancer. Camella Lobo’s LA-based project, now expanded to a three-piece for live performances, first appeared on BEB with The Sorrow Of Two Blooms back in 2011, and has remained a fixture of the label, releasing debut album Restless Idylls with us in 2013; a new Tropic of Cancer EP is due out on Blackest in October. Support for TOC comes from Berlin punks-on-wave Diät (whose debut album, out in September on Iron Lung/Adagio 380, is one of 2015’s finest), and Death Disco DJs.

The second (ahem) “party” part of the night commences at midnight, and features live performances from Raime and Prurient. Raime and their music – a minimalist but emotive, highly original synthesis of such disparate influences as jungle, post-punk, dub, doom metal and post-hardcore – have been synonymous with BEB since its inception. This Autumn they release the eagerly awaited follow-up to their 2013 album Quarter Turns Over A Living Line, and this live show in Berlin will be the first of unveiling of new album material, and of the group’s new live configuration. Prurient is of course the alter ego of Dominick Fernow, founder and figurehead of Hospital Productions. His 2013 Prurient LP Through The Window, a visionary meeting of techno and power electronics, was released on Blackest Ever Black in 2013, and Fernow has contributed to the label before and since under numerous aliases, among them Vatican Shadow, Rainforest Spiritual Enslavement and Exploring Jezebel. This live performance will be Prurient’s first in Berlin since the release earlier this year of what is arguably his masterpiece, the double-album Frozen Niagara Falls.

DJ sets come from Regis and Felix K. Regis, aka Karl O’Connor, was one of Blackest Ever Black’s earliest supporters, and quickly became one of its key artists, not only releasing his own work (2011’s In A Syrian Tongue EP) but lending his remix and studio skills to releases by Tropic of Cancer, Ike Yard, Dalhous, Vatican Shadow and Raime. This September sees the release of Manbait, a compilation of the Downwards boss and Sandwell District co-founder’s production work for BEB. The roots of Berlin native Felix K are in drum-and-bass, and he has repeatedly advanced and invigorated the genre with his own sparse, dub-centered productions, making important lateral connections to austere Hard Wax-school techno and more abstract electronic realms. As well as being one of the faces behind the Hidden Hawaii label, Felix released an EP of his own productions, Tragedy of the Commons, on BEB earlier this year.

You may also be interested to know that PAN are hosting Panoramabar that same night, with M.E.S.H., Bill Kouligas, Lee Gamble, Objekt and more. As usual, once inside the club you can move freely between Berghain and Panoramabar. To reiterate, tickets for the earlier concert part of the evening (featuring Tropic of Cancer) cost €20.50, and of course these tickets grant you entry to the party beginning at midnight. Those wishing to attend the party only (Raime, Prurient et al) can buy tickets on the door at €15, but for obvious reasons, and to avoid disappointment, we’d strongly recommend advance concert ticket purchase. Buy them here.

Some more information here.

The great unboxing


Earlier this month, Blackest Ever Black was back in the place of its birth, London, finally sorting through various possessions it left there when leaving for Berlin in a hurry two years ago. These included several large boxes of unsold stock, and spare archival copies, of BEB releases dating back to 2010, many of them quite rare; plus a handful of distro stock items.

On the morning of July 2, we packed up the most significant finds, dragged them to Queen’s Crescent post office, and shipped them to our stock-room in Berlin, at no small expense. Now they’re here, and we’re putting them on sale. If we’re lucky we’ll make back the extortionate amount it cost to ship them here, if nothing else.

A list of the titles and how many copies we have available for sale follows. All these records, tapes and CDs will go on sale simultaneously over on the Blackest Ever Black shop site at precisely 6pm Berlin (CET) time (that’s 5pm British Summer Time) tomorrow: Thursday 16 July, 2015. We’re unable to reserve items for customers, so please don’t email with any such requests. We’ve concluded that the only fair way to do this is to notify everyone in advance, and put the items on sale at a time that is, for most people, fairly civilised.

Please note that these titles are not re-presses but warehouse finds of original first pressings, and have been priced accordingly: in most cases more expensive than their original RRP, but still less than the going rate on the second-hand market. Prices are in GBP and do not include shipping.


Mint, first edition copies, unplayed and still in shrinkwrap. 5 copies in stock.

CUT HANDS – BLACK MAMBA (BLACKEST010 12″, 2012) – £6
Unplayed, first edition copies. Record in mint condition, sleeve is VG (bent corner, top-left, nothing bothersome). 4 in stock.

Unplayed, first edition copies of this highly sought-after record (£50+ on Discogs). Record and inner sleeve are in mint condition, sleeve is VG (bent corner, top-right, nothing bothersome). 7 in stock, one per customer.

Near-mint, unplayed first edition copies.

Unplayed, first edition copies of another rare one, the split 7″ from Pete Swanson and Moin (later revealed to be Raime working incognito) that was the inaugural and last release on our very short-lived Confessions sub-label. *NB: Original copies were placed in clear plastic sleeves with hand-numbered, lithoprinted 7″x7″ art insert; the copies we have on sale here are housed in white paper inners only.  14 in stock, one per customer.

Mint, first edition copies, unplayed and still in shrinkwrap. 8 in stock.

Mint, first edition copies, unplayed and still in shrinkwrap. 19 in stock.

Mint, first edition copies of this extremely rare tape edition. 7 in stock, one per customer.

Mint, unplayed copies of the second (and last) edition of Raime’s debut EP. Hand-stamped white label in white disco bag. 5 in stock, one per customer.

RAIME – HENNAIL (BLACKEST005, 2011) – £20
Mint, unplayed first edition copies in original picture sleeve. 14 in stock, one per customer.

Mint, first edition copies, unplayed and still in shrinkwrap. 18 in stock.

Mint, first edition copy of this limited edition release on Sleeperhold, unplayed and still in shrinkwrap. One-sided play, with etching on B-side.

Mint, first edition copy of first pressing in original picture sleeve. 5 in stock, one per customer.


In addition to the London haul, we’ve also found the following here in Berlin, all mint, unplayed copies still in their original shrinkwrapping (if ever they had any). These will be added to the store at the same time as the above.

6 in stock. One per customer.

7 in stock.

1 in stock.

3 in stock. One per customer.

1 in stock.

2 in stock. One per customer.

1 in stock.

Five wretched years of Blackest Ever Black: ICA, London, 26.09.15


Blackest Ever Black will mark its fifth anniversary this year with a two-part event at the ICA in London, on Saturday 26 September, and a two-part event at Berghain, Berlin, on Friday 30 October. We’re now ready to announce some details of the ICA two-parter; details for Berghain will follow later in the week.

A 2015 ICA Associate, Blackest has been given free rein over the venue’s main theatre space, and will present both a daytime and evening programme of performances on September 26. Tickets for these day and evening sessions can be bought separately, or together at a discounted price.

The evening session features live performances from Jac Berrocal, David Fenech & Vincent Epplay, Officer! and Af Ursin, with DJ support from Raime; the daytime session features live performances from Ashtray Navigations, Stefan Jaworzyn, Dalhous, F ingers and AD Jacques, plus a screening of Jane Arden and Jack Bond’s 1979 film Anti-Clock. Full details are as follows.



September 26, 8pm. Tickets £7-£8 (day+evening tickets also available at £12-£14).

The evening session features the debut UK performance from the trio of Jac Berrocal, David Fenech & Vincent Epplay, who whose album, Antigravity, Blackest Ever Black released earlier this year to considerable acclaim. “Trumpeter” is hardly an adequate epithet for avant-garde legend Berrocal, a 1946-born musician, poet and sometime film actor who came of age in the ‘70s Paris improv scene. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an eccentric and unstoppable trail across the underground throughout the ‘70s and ‘80s. His uproarious performances routinely wound up jazz and rock audiences alike, but earned the admiration of plenty of others: Steven Stapleton invited him to perform on two Nurse With Wound albums, and other notable collaborators include Sunny Murray, Lizzy Mercier-Descloux, Lol Coxhill, James Chance, Pascal Comelade and Jaki Liebezeit. Now Berrocal has found the perfect foil in David Fenech and Vincent Epplay, two fearlessly inventive composer/improvers who create challenging, acutely modernist yet historically aware settings – wrought out of synthesis, guitars, computer processing, field recordings and unorthodox percussions – for Berrocal’s unmistakeable voice and breathtakingly lyrical horn sound to flourish. Antigravity is the trio’s first album together: a lugubrious mise-en-scène in which ice-cold outlaw jazz meets musique concrète, DIY whimsy and dubwise studio science. Do not miss the opportunity to catch one of the most uniquely brilliant musicians in his element.

Another cult hero of the ‘70s and ‘80s DIY/art-rock underground, Mick Hobbs, will perform at the helm of Officer! for the first time in “decades” (we estimate 25 years), with a group assembled from collaborators past and present, including Flaming Tunes’ Mary Currie (you can vouchsafe you’ll hear one or two Flaming Tunes songs in their set). Londoner Hobbs’ musical roots are in the fecund RIO scene of the late ’70s and early 1980s, initially as guitarist in The Work, and related groupings The Lowest Note, The Lo Yo Yo, and The Momes; over the course of the decade he became closely associated with This Heat and their Cold Storage studio in Brixton, working with the likes of Flaming Tunes, Family Fodder, Catherine Jauniaux and Zeena Parkins. The Officer! project formally surfaced in 1982 with a cassette, Eight New Songs By Mick Hobbs, which marked the arrival of a singular writer and improvisor, with a gift for plangent melody, ingenious arrangement and lyrics at once caustic and courtly, playful and profound. The Cold Storage-recorded Ossification LP arrived a year later, and Megaphone Records, responsible for its recent reissue, describe it as “one of the most unusual, pleasurable and character-filled ‘pop’ records anyone has heard…a timeless anomaly in the history of recorded music.” In 2014, Blackest Ever Black released Officer!’s “lost” album, Dead Unique, recorded in 1995 but inexplicably shelved for 19 years. It’s a bona fide classic of English song-based experimentation, one that addresses the biggest themes: love, loss, commitment, independence, the mutability and inconstancy of all things. “You lose, you learn, you advance…but you always go back.” What a true honour it is to welcome Officer! back to the stage.

Af Ursin is the alter ego of Finnish autodidact composer/improviser Timo van Luijk. He began his musical activities in the mid-1980s, founding the Noise-Maker’s Fifes collective with Geert Feytons in ’89. During the ’90s he developed his solo work under the name Af Ursin, providing music/sound for dance, theatre and film projects, before establishing his own record label, La Scie Doree, in 2001. This became the main platform for his own music and related projects, including regular collaborations with Christoph Heeman (as In Camera) and Andrew Chalk (as Elodie). His work mainly uses acoustic instruments (strings, wind, percussion) and various sound objects in order to create free-form arrangements through combined structured improvisations; the intuitive and poetic aspect, and the unique timbre of each instrument, forming the core of his musical approach. Af Ursin’s live performances usually consists of applied mechanics from an old sewing machine and motorised percussion combined with a variety of acoustic instruments, objects and tape manipulation. In early 2016, Blackest Ever Black will release new LP and CD editions of Af Ursin’s 2005 masterpiece, Aura Legato: a visionary, profoundly psychedelic synthesis of acid-folk, musique concrète and ceremonial drone currents that has earned telling, if inadequate, comparisons to Third Ear Band, Nurse With Wound and HNAS.

Evening DJ support comes from Raime, the duo of Joe Andrews and Tom Halstead whose work has been synonymous with Blackest Ever Black ever since its inception. Raime’s first release, their self-titled EP, was Blackest’s first also, and the duo have since release two further 12″s – If Anywhere was here he would know where we are (2010) and Hennail (2011) – as well as an EP and split 7″ as Moin (their post-hardcore-influenced side-project). In 2013 they released their debut album, Quarter Turns Over A Living Line, and Autumn 2015 will see the release of its eagerly anticipated, full-length follow-up.



September 26, 12 midday. Tickets £7-£8 (day+evening tickets also available at £12-£14).

The daytime session is headlined by Ashtray Navigations. Operating out of various basements in Stoke-on-Trent and Leeds since the early ’90s, AshNavs occupy a uniquely important, idiosyncratic and bloody-minded role in the global psychedelic underground, with a sprawling, countless catalogue of LPs, tapes and CD-Rs (both self-released and on labels like Siltbreeze, VHF and Golden Lab) to their name. Centered around Phil Todd, their inspired, improvised, ever-mutating sound is impossible to satisfactorily pin down, but suffice to say it touches on psychedelic rock ’n roll, ecstatic drone, molten electronics…In the words of Todd, “I always imagine myself and Ashtray Navigations going through and shovelling up all types of music. Everything gets thrown on the furnace to some extent.” Ashtray Navigations’ members and collaborators over the years have included the likes of Alex Neilson, Neil Campbell, Stewart Keith and Phil Legard; they currently perform as a two-piece with Todd (described by David Keenan as “a trashcan antidote to LaMonte Young”) joined by Mel Ó Dubhshláine on various instruments/devices. The Wire: “This is music stripped free of song into a perpetual crescendo by someone who loves music so much, he has to destroy it so no one else can have it. Welcome to the psychedelic mess that is Phil Todd and Ashtray Navigations’ universe.”

Writer, musician and misanthrope Stefan Jaworzyn will also perform live. Following a brief stint in Whitehouse, Jaworzyn formed Skullflower with Matthew Bower in ’86 and remained the band’s guitarist for four years, before establishing the Shock label (home to releases from the likes of Lol Coxhill, Coil, The Dead C and Ramleh), which, like the annual Shock Around The Clock film festival, grew out of Shock Xpress – the seminal horror/exploitation zine he edited. Jaworzyn rejoined Whitehouse in 1990-91, and around this time was also invited to participate in a roundtable discussion about serial killers on Channel 4’s After Dark programme: it ended with him vehemently debating the meaning of the word “integrity” with fellow guest Michael Winner. Despite having supposedly renounced the guitar, in ’91 Jaworzyn returned to it with some venom, forming Ascension (later Descension) with Tony Irving; the band’s turbulent brand of free music famously incited an audience riot when they supported Sonic Youth at Kentish Town Forum in ’96. In the second half of the decade Jaworzyn retired Shock and largely withdrew from music, choosing to focus on drinking and cursing (although his The Texas Chain Saw Massacre Companion was published by Titan Books in 2003). After some 17 years off the grid, Jaworzyn recently reappeared with a series of new and archival releases, including Drained Of Connotiation (Blackest Ever Black, 2014) , a document of raw, sociopathic electronic music created in early/mid-’82 using a Korg MS10 or 20 and his beloved Dr Rhythm drum machine.

Dalhous is the brainchild of Edinburgh’s Marc Dall, joined for live performances by regular studio collaborator Alex Ander. Their most recent release, a limited cassette of selected 2009-13 demos notwithstanding, is 2014’s Will To Be Well: a double-LP of highly lyrical, sublimely melancholic electronic music inspired, like Dalhous’s An Ambassador For Laing (2013) and Will To Be Well EP (2014) before it, by the life and arcana of R.D. Laing, but also alluding to more universal and enduring mysteries: the relationships between body and mind, illness and wellness, the physical and the metaphysical. Dalhous perform at the ICA ahead of the release of their third LP, The Composite Moods Collection, by some distance their most complex, ambitious and personal offering to date.

F ingers is a Melbourne-hailing group which includes Tarcar’s Carla dal Forno and Tarquin Manek in its ranks. Their brand of sleep-deprived, synth-daubed death-folk – like some suburban dream-meeting of Nico and Dome – is powerfully documented on new album Hide Before Dinner, due out on Blackest Ever Black in August/September 2015. Dal Forno and Manek have quickly become key members of the Blackest Ever Black family, with a number of solo and collaborative projects in the label’s pipeline.

London-based Northerner A.D. Jacques spent fifteen years selling avant-garde LPs and recording his own music in secret before spending another ten years as a recluse. He made his live solo debut at the 2012 BEB showcase whilst disguised as a DJ, and his first release for the label is due in 2016.

The daytime session opens with a screening of Jane Arden & Jack Bond’s Anti-Clock (1979, 105min). Actress, playwright and filmmaker Arden (1927-82) was the author of Vagina Rex and the Gas Oven (1969), the first play to emerge from the Women’s Liberation Movement, and founder of Holocaust women’s theatre company. Her collaborations with Jack Bond – who would later earn much praise for his run of terrific South Bank Show documentaries (on the likes of Patricia Highsmith and Werner Herzog) in the ’80s, and his pop films for the Pet Shop Boys and Adam Ant – include Separation (1968) and Anti-Clock (1972). Anti-Clock, Arden and Bond’s last work together, is often described as an “avant-garde sci-fi”, but that phrase, though not exactly inaccurate, scarcely does justice to its unforgettable imagery, the bleak poetry of its script (much of it derived from Arden’s radical social and psychological manifesto You Don’t Know What You Want, Do You?), and the deep sense of existential unease which the whole picture conveys. The film opened the  was never picked up for British distribution: its only other public British screening was at the NFT in 1983, as a tribute to Arden, who had committed suicide at the end of the previous year. However, it had a modest theatrical release in the US, where it received notable critical acclaim – Newsweek applauded “a complex and fascinating experimental exploration of time and identity…a film of authentic, startling originality”, and Warhol and Chabrol both gave their seals of approval. Following Arden’s death, a grieving Bond suppressed further distribution/release of the film, until a 2005 restoration and DVD/theatrical release from the BFI. In 2016 Blackest Ever black will issue a vinyl edition of the Anti-Clock soundtrack, including dialogue cues: this soundtrack has never been available before on any format, and features two extraordinarily haunting, synthetic folk/pop songs sung by Jane Arden herself.

One or two more artists yet TBA for the daytime session, schedule allowing.

Buy your day tickets here and evening here (and remember to take advantage of the discounted multibuy if you wish to attend both day and evening concerts.


Turin again


A recent clear-out of our London storage (of which more soon) turned up a box of 50 mint, unsold copies of Turin Versions, the mail-order only Regis 12″ we pressed in a limited edition of 300 and originally released in January 2013.

It features a version apiece of ‘Blood Witness’ and ‘Blinding Horses’, re-tooled for live Regis performances in 2012-13. The ‘Blinding Horses’ version appears on the forthcoming Manbait compilation (the CD and digital editions, anyway), but the ‘Blinding Horses’ version remains entirely exclusive to this vinyl-only release.

The 250 or so copies issued in 2013 each featured a different page torn from two paperback editions of Pier Paolo Pasolini’s poetry, and were individually hand-numbered. The 50 warehouse find copies lack those two particular flourishes, but are otherwise identical to the original edition (which currently commands £50+ on the second-hand market), with the record housed in black paper inner and brown kraftliner disco-bag.

Buy here.

Rat Columns’ Fooling Around E.P. now available to pre-order


Rat ColumnsFooling Around E.P. will be released by Blackest Ever Black on July 31, 2015.

The brainchild of Perth’s David West, Rat Columns first caught our attention with the very fine Leaf LP on R.I.P. Society last year, and we’re pleased now to be providing the first vinyl outing for the heart-stopping extended version of its most memorable track, ‘Fooling Around’ – a modern rock ‘n roll classic co-written by West and Total Control’s Mikey Young.

‘Fooling Around (Long Version)’ is backed with three new Rat Columns songs, all previously unreleased, for this edition of 500 (housed in full-colour LP-style sleeve with download card and lyric sheet included). More information here.


May/June 2015:

Ashtray Navigations – Infinite Ceiling Feeling (Memoirs of an Aesthete, 2015)
Michael Gillard & Laurie Flynn – Untouchables: Dirty Cops, Bent Justice and Racism in Scotland Yard (Bloomsbury Reader, 2012)
Diat – Positive Energy LP (forthcoming Iron Lung)
Klute (dir. Alan J. Pakula, 1971)
Orson & Skratch – ‘Nucleus’ (Version, 2015)
Jah Wobble & Evan Parker – Passage to Hades (30 Hertz, 2001)
Owen Sheers – I Saw A Man (Faber & Faber, 2015)
The Sandbaggers: The Complete Series (Network, 2009)
Various Artists – The Fresh Records Anthology: Compiled By Bill Brewster (Harmless, 2015)
B-Movie: Lust & Sound In Berlin 1979-89 (dir. Jorg A. Hopper et al, 2015)
Stuart David – In The All Night Cafe (Little, Brown, 2015)
Brunnen – Sometimes My Arms Bend Back (Vrystaete, 2015)
Martin Hannett / Steve Hopkins – The Invisible Girls (Factory Benelux, 2015)
I’ll Sleep When I’m Dead (dir. Mike Hodges, 2003)
Pascal Comelade – L’Argo du Bruit (Delabel, 1998)
Bloodline (Netflix, 2015)
Shawn Coyne – The Story Grid: What Good Editors Know (Black Irish, 2015)
Vito Ricci – I Was Crossing A Bridge (Music From Memory, 2015)
Cherry Boys – ‘Kardomah Cafe’ (Crash, 1983)
David Kilgour & The Heavy Eights – Left Soft (Merge, 2011)


Customer pick-up now available

It is now possible to buy Blackest Ever Black records, merchandise and other distro items from us in person from our office in Neukölln, Berlin. Your order must be paid for in advance via PayPal, or in cash upon collection. Available titles at any given moment are listed on the homepage of the BEB webshop. Please email in advance to reserve your items, confirm payment method and make your appointment.

Now shipping: Barnett + Coloccia LP and Six Six Seconds 10″


Weld, the new LP by Barnett + Coloccia, is now in stock; pre-orders from the BEB webshop are shipping this week ahead of official release on Monday. It’s an extremely powerful record, and is presented in a striking package designed by Faith Coloccia, with high-gloss jacket printed in black and metallic copper pantones, and a two-sided litho-printed insert. A code giving you access to a full mp3/FLAC download of the album is included.

You can find more information about the album here, and buy the vinyl direct from us. The digital release will be available on Monday 15 June.


Also in stock and shipping now: Six Six Seconds‘Tearing Down Heaven’. Written and performed by Claude Eden, and recorded by Karl O’Connor, the original version of this song appeared on the Downwards’ So Click Heels compilation a couple of years ago. It has been re-edited and slightly extended for this new, stand-alone 10″ and digital release – also officially out on Monday 15 June – with a previously unreleased dub on the B-side. Customers who order the 10″ direct from BEB will receive a download code via email.

A note from the administration

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A general update on incoming releases. After a delay due in equal parts to the Record Store Day fall-out and some last minute design tweaks, the physical and digital release of Barnett + Coloccia‘s Weld (BLACKEST042) has been pushed back a couple of weeks to June 15 (copies pre-ordered direct from Blackest will ship a week earlier) – apologies for any inconvenience this might cause you. Six Six SecondsTearing Down Heaven 10″ and digital release (BLACKEST038) will be available at the same time.

Also running a little late, this time due to a manufacturing fault beyond our control: I Can’t Give You the Life You Want (BLACKESTUSA001), the US compilation we’re putting out in association with LA’s Mount Analog. We’re working hard to have it ready to ship before the end of June; we’ll update you as soon as we have a clearer idea of whether we’re going to succeed.

Attentive listeners to our Berlin Community Radio show will be aware of a forthcoming Ossia 12″ (BLACKEST046) due out on Blackest Ever Black in June/July; we also have an LP from F ingers (BLACKEST044) and a 12″ EP from Rat Columns (BLACKEST043) coming out this summer, and a 2xLP/CD/digital compilation of Regis‘s BEB productions, including several previous unreleased tracks, is slated for August. All of the above will be available to pre-order soon.

Other things that will be emerging over the course of the next 6-8 months: new titles from Secret Boyfriend (BLACKEST045), Dalhous, BremenTarquin Manek and Tropic of Cancer (a new EP); the AD Jacques LP we’ve been promising since 2012; the second release on our A14 sub-label; and several archival editions. And yes, the new album from Raime will be out in Autumn of this year.

Thanks, as ever, for your attention.

Latest warehouse finds, re-stocks and distro additions in Blackest webshop


We’ve found a few copies of some out-of-print and sought after BEB titles from 2013-14, including Prurient’s Through The Window LP, Rainforest Spiritual Enslavement’s Black Magic Cannot Cross Water LP, and Tomorrow The Rain Will Fall Upwards’ How Great A Fame Has Departed? 10″. Also vinyl and CD re-stocks of albums from Black Rain, Dalhous, Raspberry Bulbs, Secret Boyfriend, Barnett + Coloccia, Tropic of Cancer, Lustmord, Weekend and Killing Sound.

In terms of distro stock, we have three new hand-picked titles in from Static Shock UK: Sheer Mag’s rampaging debut EP, a lush reissue of Ultra-Violent’s pulverising Crime For Revenge 7″ and a killer 12″ of strung-out D-beat from Impalers. Also last remaining copies of Richard Youngs’ “dub” CD on Fourth Dimension, Primary Concrete Attack and a pair of Stefan Jaworzyn’s thoroughly essential Eaten Away By Shadows comps, also on CD. Last but not least, we found a few unsold copies of the limited edition Lustmord art print by Simon Fowler; needless to say, these will not come round again.

View the full offering here.

UPDATE: The Prurient and Rainforest LPs are now gone, but we’ll be getting hold of some more at the end of June. The other bits and pieces mentioned above we still have, and we’ve also just added a couple of excellent 2012/13 LPs on Jartecknet, Bremen’s debut LP on Skrammel, and Mischa Pavlovski’s Kapitel on Posh Isolation.

Blackest Ever Black radio show, May 2015

Blackest Ever Black returns to Berlin Community Radio for the May 2015 edition of its monthly show, tomorrow (Tuesday 4 May) at 5pm CET. Listen live if you can; the archived podcast will be available for stream/download later this week.

UPDATE: You can now listen to or download the show via Soundcloud. Includes forthcoming Blackest Ever Black material from Barnett + Coloccia, Ossia, F ingers and Tarquin Manek.


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April 2015:

Hypnotic Sleep – Hypnotic Sleep (Static Age, 2013)
Jonathan Meades – Pedigree Mongrel (Test Centre, 2015)
Squadra Omega – Il Serpente Nel Cielo (Holidays, 2015)
Beatriz Ferreyra – GRM Works (Recollection GRM, 2015)
Richard King – Original Rockers (Faber & Faber, 2015)
Pact Infernal – The Descent (Chapter 1) (Samurai Horo, 2015)
Henry Krutzen – Silances (Creel Pone, 2015)
LST – Th Duo (Another Dark Age, 2015)
James Wood – The Nearest Thing To Life (Vintage, 2015)
Zoviet France – Just An Illusion (Staalplaat, 1990)


Jac Berrocal, David Fenech & Vincent Epplay at REWIRE festival this weekend

Jac Berrocal, David Fenech and Vincent Epplay mark the release of their trio album on Blackest Ever Black, Antigravity, with a live performance at the REWIRE festival in the Netherlands this Saturday, 2 May. Unmissable, really. For more information and tickets, click here.

Due to an unforeseen delay with pressing (insert moan at RSD here), official physical and digital release date for Antigravity has been pushed back to May 11. For those of you who have pre-ordered the album direct from Blackest Ever Black: CDs have already shipped earlier this week; the LPs are due in on Monday, and we expect to have them all dispatched by Wednesday (May 6).



Synth Cliché

When I agreed to record a short mix of my “synth heroes” for the show of the same(ish) name on NTS Radio, I did so believing that I would deliver an original and purposeful selection which showed synths being used in unorthodox ways, or to evoke/signify unexpected things. When it came down to it, I panicked and turned out an hour of sci-fi techno and dark ambient clichés instead. Oh well. The mix and my brief track-notes can be found here. -KS


BLACKEST038: Six Six Seconds – ‘Tearing Down Heaven’


Blackest Ever Black presents a very necessary stand-alone release for Six Six Seconds‘Tearing Down Heaven’, which originally appeared on the 2012 Downwards compilation So Click Heels.

blackest038-packshot-cargoWritten and performed in Berlin by the elusive Eden, and deftly recorded and mixed by Karl O’Connor, ‘Tearing’ was the comp’s stand-out: a piece of drugged, darkly rapturous dream-pop in which the abyssal swoon of shoegaze meets a harsher, more pernicious order of psychedelic rock minimalism.

This 10”/digital edition on Blackest Ever Black features a slightly extended version of ‘Tearing Down Heaven’, and a stunning new “reprise”, which homes in on the original’s roaring, phantasmic electronics, unravelling its complex webs of feedback and high-end scorch into a masochistic drone-raga for eternally thwarted lovers.

For more information, click here.



Raime DJ dates, May 2015

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Raime have a trio of DJ appointments lined up for May 2015. On Saturday 2 May they play at Bristol’s The Exchange for TILT, alongside live performances from Karen Gwyer, Blood Sport and Giant Swan.

On Saturday 16 May , Logos and Mumdance have invited them to play a “’91-’92 set” in support of DJ Vibes’ “’93-’94 set” at their Different Circles night (taking place at The Queen of Hoxton, London); the hosts, meanwhile, will be playing a “bleep set”.

Finally, on Friday 29 May, they travel to Barcelona for Primavera Sound festival, where they’ll be DJing in the Electronic Tent.

Raime DJs:
May 2 – The Exchange, Bristol, UK – TILT w/ Karen Gwyer, Blood Sport, Giant Swan
May 16 – Queen of Hoxton, London, UK – Different Circles w/ DJ Vibes, Mumdance & Logos
May 29 – Primavera Sound, Barcelona, Spain



This Thursday, 23 April: Shampoo Boy + Silvia Kastel + Tarcar at N.K. Projekt, Berlin


This Thursday at N.K. in Berlin, Blackest Ever Black presents a release show for Shampoo Boy‘s new album, Crack. Peter Rehberg’s trio are supported by Silvia Kastel (Control Unit) and Tarcar. Doors 19:30, more information here

This will be the debut German outing for Vienna’s SHAMPOO BOY (Rehberg, Christina Nemec and Christian Schachinger). Their new album Crack – A powerful alloy of extreme electroacoustic music, noise, luminous ambience and the mineral fundaments of rock and black metal – is the follow-up to 2013’s similarly pulverising Licht, and is due to be released on BEB next week. Epic in scale, complex in mood and dazzling in technique, the LP is a momentous achievement from three improvising musicians at the height of their powers.



As one half of Control Unit (with Ninni Morgia), vocalist and multi-instrumentalist SILVIA KASTEL has worked with the likes of Smegma, Factrix, Gary Smith, Aki Onda and Gate (Michael Morley of The Dead C); their collaborative album with the latter is due later this year. Hailing from Italy but with a predilection for the bleak and jarring sounds of the UK’s first industrial wave, Kastel’s confrontational yet sensual work incorporates voice, rhythm, synths, tape echo and dub influences. Following a series of 7″ and cassette offerings, many released through her own Ultramarine label, she is currently at work on her debut LP.



First ever European peformance for Melbourne’s Carla dal Forno (Mole House) and Tarquin Manek (LST, Bum Creek) aka TARCAR. Their debut EP of dub-damaged DIY,Mince Glace, was issued on BEB in late 2014, and they have a number of further works – solo and collaborative – coming out on the label in 2015, beginning with a new LP, Hide Before Dinner, by F ingers (the latest iteration of dal Forno, Manek and Samuel Karmel’s group project). Manek also records as LST, whose Th Duo LP is out this month via Berlin’s Another Dark Age, and will release a solo LP on Blackest under his own name later this year. Tarcar also contribute to the upcoming BEB compilation, I Can’t Give You The Life You Want.



March 2015:

Andre Almuro – Depli (Elica, 1999)
Graham Lambkin & Michael Pisaro – Schwarze Riesenfalter (Erstwhile, 2015)
Geoff Dyer – Out Of Sheer Rage: In The Shadow of D.H. Lawrence (Canongate, 2012)
Maggie Hannan – Liar, Jones (Bloodaxe, 1997)
Benjamin Lew – Compiled Electronic Landscapes (Crammed Discs, 2003)
The American (Anton Corbijn, 2010)
Amiina – Kurr (Ever Records, 2007)
Lindsay Cooper – Rarities Volumes 1 & 2 (ReR Megacorp, 2014)
Paki Visnadi – Imaginary Choreography (Antinote, 2015)
Peer Raben – The Music from Rainer Werner Fassbinder Films (UbuWeb)
Prurient – Frozen Niagara Falls (Profound Lore, 2015)


New pair of Kroks


We’re currently preparing two new Krokodilo Tapes: A self-titled, split release from Penile Colonie / Prison Planet (the first original material to see release on Krokodilo since Thought Broadcast and Gnod’s 2013 offerings), and the second in the planned trilogy of mixtapes from Gewissen. Edition of 75 in both cases, due to go up for pre-order around 5pm CET today (April 16, 2015).


I Can’t Give You The Life You Want


I Can’t Give You The Life You Want is a new, vinyl-only US compilation from Blackest Ever Black.

Exclusively manufactured and distributed by LA’s Mount Analog record store, in a strictly limited edition of 500, it features new and previously unreleased material from Tropic of Cancer, Bremen, Cut Hands, Dalhous, Tarcar, Exploring Jezebel, Barnett + Coloccia, Secret Boyfriend, Tarquin Manek, 500 Stamps and Infrastructure Zero.

Listen to Tarcar’s contribution, ‘Eija’, here.

It will be released in the US in early June. All customers pre-ordering/buying from Mount Analog will receive a free Blackest Ever Black mixtape entitled Truth Or Dare In North America with their record. A handful of copies (without the mixtape) are available to pre-order direct from Blackest Ever Black.

More information here.


Jac Berrocal, David Fenech, Vincent Epplay: Antigravity


Antigravity is a new trio album from legendary trumpeter Jac Berrocal and two fellow travellers in the French avant-garde, David Fenech and Vincent Epplay. A lugubrious mise-en-scène in which ice-cold outlaw jazz meets musique concrète, DIY whimsy and dubwise studio science, all watched over by the lost souls and hungry ghosts of rock ‘n roll. It’s due to be released on LP, CD and digital formats through Blackest Ever Black on April 27, 2015, and is available to pre-order now. For more information, click here.


March edition of Berlin Community Radio show now available

The March 2015 edition of Blackest Ever Black’s monthly Berlin Community Radio show has been archived and is now available to stream and download via Soundcloud. Listen out for new label material from Jac Berrocal, David Fenech and Vincent Epplay, Tarcar, Secret Boyfriend, Dalhous, Shampoo Boy, Barnett + Coloccia and Tarquin Manek.

Congratulations also due to BCR for their successful recent funding bid.



February 2015:

John Higgs – The KLF: Chaos, Magic and the Band Who Burned A Million Pounds (Weidenfeld & Nicolson, 2013)
Nina – guest mix for Berlin Community Radio
Mix-O-Rap – ‘For Thugz’ (Peoples Potenital Unlimited, 2015)
Rat Columns – Leaf (R.I.P. Society, 2014)
Gareth Murphy – Cowboys & Indies: The Epic History of The Record Industry (Serpent’s Tail, 2015)
Sheer Mag – EP (Static Shock, 2014)
John Banville – The Book of Evidence (Picador, 2014)
Russell St. Bombings – Russell St. Bombings (Smartguy, 2015)
Douglas Dunn – A Rumoured City: New Poets From Hull (Bloodaxe, 1982)
Alex Ogg – No More Heroes: A Complete History of UK Punk 1976-1980 (Cherry Red Books, 2012)


Raime DJ set at Tresor, 27/02

Raime will play a DJ set at Tresor in Berlin this Saturday, 28 February, for the launch of the Contort label. Also on the bill: Kangding Ray (live), Russell Haswell (HDJ set), Beneath, Andrea Parker, Senking (live), SØS Gunver Ryberg (live), Samuel Kerridge (live), TM-404 (live), and Ascion & D. Carbone. More information here.


Shampoo Boy’s new album, Crack, available to pre-order now


Crack is the new album from Shampoo Boy on Blackest Ever Black. The Vienna-based trio’s second LP to date, following 2013’s crushing BEB debut Licht, Crack finds Peter Rehberg (Editions Mego), Christina Nemec (comfortzone) and Christian Schachinger leaving behind the post-everything in search of their very own neo-something: a powerful alloy of extreme electroacoustic music, luminous ambience and the mineral fundaments of rock and black metal.

Mastered by Russell Haswell, with artwork by David Coppenhall, the album will be released on vinyl and digital formats on April 6, 2015. More information here.

A release party for the album takes place at N.K., Berlin, on Thursday 23 April, with live performances from Shampoo Boy, Silvia Kastel and Tarcar.


Red Riding: In the Year of Our Lord 1980 vinyl back in stock


Warehouse find: a few copies of Blackest Ever Black’s out-of-print 2013 vinyl edition of Red Riding: In the Year of Our Lord 1980, Dickon Hinchliffe’s original score to the Channel 4 TV movie of the same. David Peace’s sequence of Red Riding books, and Revolution Films’ trilogy of screen adaptations (of which 1980 was the second part), are both firmly established as modern classics, and this powerfully emotive soundtrack remains one of our proudest releases. High gloss gatefold with liner notes by screenwriter Tony Grisoni, director James Marsh, and critic Mark Fisher.


Blackest Ever Black presents Shampoo Boy, Silvia Kastel & Tarcar at N.K., Berlin, April 23


Blackest Ever Black presents a release show for Shampoo Boy‘s new album, Crack, at N.K. in Berlin on Thursday 23 April.

This will be the debut German outing for the Viennese trio of Christina Nemec, Peter Rehberg (Editions Mego) and Christian Schachinger. Crack, the follow-up to 2013’s pulverising Licht, is due to be released on BEB in early April. Details will be announced next week.

Support comes from Silvia Kastel of Control Unit, and recent additions to the Blackest family, Tarcar, playing their first ever show in Europe. Early bird advance tickets are available at the heavily discounted  price of £4.50 GBP (approx €6 EUR).

Doors open at 19:30. More information soon.